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Heavy Blog Is Heavy logo
  • Best of 2021
    Featured

    • Heavy Blog's Superlative List for 2021

      Eden Kupermintz
      January 17, 2022
      Best of 2021, Lists!
    Recent

    • Yearly Missive // 2021

      Eden Kupermintz
      January 17, 2022

    • Finding Meaning In Meaninglessness: A 2021 Survivor’s Guide

      Nick Cusworth
      January 17, 2022

    • Heavy Blog’s Top 50 Albums of 2021

      Heavy Blog
      January 17, 2022

    • A World In Which Music Exists – 2021 In Review

      Eden Kupermintz
      January 17, 2022

    • Heavy Blog Guest List // Terminus

      Eden Kupermintz
      January 17, 2022

    • Heavy Blog Guest List // Fierce Deity

      Eden Kupermintz
      January 17, 2022
  • Monthly Missive
    Random

    • Monthly Missive // May 2022

      Heavy Blog
      May 5, 2022
      Monthly Missive
    Recent

    • Monthly Missive // April 2022

      Heavy Blog
      April 7, 2022

    • Monthly Missive // March 2022

      Heavy Blog
      March 3, 2022

    • Yearly Missive // 2021

      Eden Kupermintz
      January 17, 2022

    • Monthly Missive // December 2021

      Eden Kupermintz
      December 7, 2021

    • Monthly Missive // November 2021

      Eden Kupermintz
      November 10, 2021

    • Monthly Missive // October 2021

      Heavy Blog
      October 5, 2021
  • Columns

    Recent

    • A Gift to Artwork // May 2022

      Karlo Doroc
      May 5, 2022
      A Gift to Artwork, Columns

    • Kvlt Kolvmn // May 2022

      Jonathan Adams
      May 5, 2022
      Columns, Kvlt Kolvmn

    • Unmetal Monthly // May 2022

      Calder Dougherty
      May 5, 2022
      Unmetal Monthly

    • Rotten to the Core // May 2022

      Calder Dougherty
      May 5, 2022
      Rotten to the Core

    • Death's Door // May 2022

      Jonathan Adams
      May 5, 2022
      Columns, Death's Door

    • Post Rock Post // May 2022

      Eden Kupermintz
      May 5, 2022
      Post Rock Post
    • A Gift to Artwork
    • Cool People Column
    • Death’s Door
    • Doomsday
    • Editors’ Picks
    • Genre Genesis
    • Grind My Gears
    • Into the Pit
    • Kvlt Kolvmn
    • Post Rock Post
    • Rotten to the Core
    • Unmetal Monthly
  • Genres
    • Metal
      • Black Metal
      • Death Metal
      • Doom Metal
      • Grindcore
      • Metalcore
      • Post-Metal
      • Progressive Metal
      • Stoner Metal
      • Sludge Metal
      • Thrash Metal
      • Trad Metal
    • Rock
      • Art Rock
      • Hardcore
      • Indie Rock
      • Math Rock
      • Post-Rock
      • Progressive Rock
      • Psych Rock
      • Punk
      • Shoegaze
      • Stoner Rock
      • Synthwave
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  • Reviews
    Random

    • Labirinto - Gehenna

      Nick Cusworth
      February 7, 2017
      Reviews
    Recent

    • Moon Tooth – Phototroph

      Eden Kupermintz
      May 5, 2022

    • Path of Might – Deep Chrome

      Eden Kupermintz
      May 5, 2022

    • Atoll – Prepuce

      Bridget Hughes
      May 5, 2022

    • Eight Bells – Legacy of Ruin

      Eden Kupermintz
      April 7, 2022

    • Concert Review: YOB, Marquis Theater, Denver, CO, 3/24/22

      Pete Williams
      April 7, 2022

    • Undeath – It’s Time… To Rise From The Grave

      Jimmy Rowe
      April 7, 2022
  • Listen To This!
    Featured

    • Hey! Listen to Let Us Prey!

      Joshua Bulleid
      July 28, 2020
      Listen To This!
    Recent

    • Release Day Roundup – 5/20/22

      Scott Murphy
      May 20, 2022

    • What We’re Really Listening To – 5/13/22

      Scott Murphy
      May 13, 2022

    • Release Day Roundup – 5/13/22

      Scott Murphy
      May 13, 2022

    • Release Day Roundup – 5/6/22

      Scott Murphy
      May 6, 2022

    • What We’re Really Listening To – 5/2/22

      Scott Murphy
      May 2, 2022

    • Release Day Roundup – 4/29/22

      Scott Murphy
      April 29, 2022
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Tagged Last Hyena

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Last Hyena

Post Rock Post // July 2021

Eden Kupermintz
July 12, 2021
Post Rock Post
Hello and the postiest of greetings you all! I’m sorry, it’s really hot today and my brain is completely fried. You know what’s great for that? That’s right, some slow, crescendo-filled, emotional music! As we... Read More...

Editors’ Picks // May 2021

Heavy Blog
May 10, 2021
Editors' Picks
What a month! May was arguably the most stacked month of the year thus far, and as you’ll see from the picks below, incredibly well-rounded as well. Our top picks include everything from The Armed’s noise-pop-... Read More...

Release Day Roundup – 4/30/21

Scott Murphy
April 30, 2021
Release Day Roundup
Editor’s Note: Longtime reader Remi VL is a regular guest contributor to our Release Day Roundup posts! He submitted several of the albums listed below. Join his Facebook group for more recommen... Read More...

EXCLUSIVE PREMIERE: Last Hyena Ask The Tough Questions With “Where’s Laika?”

Eden Kupermintz
March 15, 2021
Premieres
Ah, Bristol! I love that city for its spirits, its music festivals, its propensity for chucking statues in the river (fuck slavers and their effigies, yeah?), and its love for weirdo rock. The latest example o... Read More...

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Latest Reviews

  • Moon Tooth – Phototroph

    Eden Kupermintz
    May 5, 2022
    By now, Moon Tooth have garnered themselves quite a following in the progressive metal spaces. This is no accident; the scene is hungry for the kind of upbeat and unrestrained music that Moon Tooth is creating. Good news then: Phototroph is by far the band’s most energetic and “poppy” release, and I mean that in the best way possible.

  • Path of Might – Deep Chrome

    Eden Kupermintz
    May 5, 2022
    Back in 2016, I first heard Path of Might's "Mountain of Flowers & Fruit", from their self-titled release, and I wa... Read More...

  • Atoll – Prepuce

    Bridget Hughes
    May 5, 2022
    A friend recently asked me a baffling question: Is Nicolas Cage a good actor? It’s a seemingly simple inquiry, right... Read More...

  • Eight Bells – Legacy of Ruin

    Eden Kupermintz
    April 7, 2022
    Legacy of Ruin very much continues Eight Bells' style of ethereal, haunting doom but splices it with more dynamic and muscular riffs, drums, and vocals for a new, and markedly improved, version of the band's sound. It is still an album to sink into to be sure, but it also affords the listener with more footholds on their way down.