For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Krautrock was a musical movement with roots in Germany during the sixties and seventies, with key focus on psychedelia, musical experimentation, and a heavy focus on repetition. Bands like Faust, Neu!, Kraftwerk (in their earlier years), and, of course, Can, were integral in pioneering this sound. However, Can’s adherence to the typical krautrock sound was short-lived, with this album as proof of that. While Tago Mago has krautrock elements in it (especially on the first half of the album), the band ultimately went beyond what others in the genre were doing and created something amazing and out there, full of experimentation with delay effects and tape music, among other things. It’s a long, dense listen that grows more difficult as the minutes go by, but it’s ultimately a rewarding experience that has proven to be a huge influence on modern music. Artists like Radiohead (specifically Thom Yorke and Johnny Greenwood), Primal Scream, The Jesus And Mary Chain, and Public Image Ltd all have cited inspiration from Tago Mago. And, of course, this is one of our favorite albums as well! So, have fun!
Scottish post-rock denizens Mogwai are a band who thrive in chaos and unpredictability – much like the little furry creatures from Joe Dante’s Gremlins they’re named after. Boundary-pushers since their inception, their feats of trailblazing subsequently launched post-rock into the mainstream stratosphere without ever having to compromise their artistic vision. Mogwai’s success is well earned and proof that, sometimes, crafting consistently great and innovative music can get you far. To traverse their discography is to explore vast oceans and limitless skies of both welcome familiarity and unexpected delights. Whether unleashing earth-shattering audio assaults or elegiac passages of soothing soundscapes, their music is profoundly human and capable of eliciting an emotional response through instrumentals alone.