Post Rock Post – 1099

While our Post Rock Post series may suggest otherwise, several of us on staff not named Nick or Eden also keep up on the genre’s latest offerings. I still remember being blown away by Mogwai’s Come On Die Young back in college and slowly pulling back the layers of post-rock’s back catalog of…

Hey! Listen to Område!

“Avant-garde” is arguably the most misused genre descriptor in modern metal. Whether in blog posts or comment sections, there’s always someone that’s heard a slightly off-kilter metal album and immediately slapped on the old “A-G” tag. That said, I’m not going to use Område as an example to parse out the differences between avant-garde, experimental and progressive metal (an article worth writing by someone who actually wants that to be their hill to die on). I’m actually here because of the French duo’s invigorating take on avant-garde metal—an approach that captures the essence of the genre in gorgeous, meticulous detail. Whereas bands like maudlin of the Well and Pan.Thy.Monium found success by thrusting death metal into avant-garde territory, Område excel by nailing down the core of avant-garde metal and renovating it’s structure with intricate furnishings and vibrant coats of paint. There may be no shortage of high-quality albums to recommend to metal fans flirting withe the avant-garde, but there are a sparse few that rival Nåde’s marriage of accessibility and bold artistry.

Jazz Club Quarterly // April-June 2017

We’re back with more fantastic jazz from the second quarter of 2017! Unfortunately with the departure of staff writer and our friend Jimmy Mullett from Heavy Blog, it’s left a hole in our Jazz Club trifecta. Thankfully we were able to fill that void quickly with our buddy Dave Tremblay of Can This Even Be Called Music? Dave is constantly finding interesting and original stuff in the way of jazz and elsewhere, and we’re excited to have him join and help us recommend jazz of all stripes that demands your attention.