Black metal has arguably the most eclectic genre palette in the metal pantheon. Though simple at its core, the genre's aesthetics have been applied to countless concepts and shaped to include a multitude of other genres and accompanying instrumentation. Yet, the guitar still remains the one constant element in nearly all iterations of the genre, whether as a lo-fi wall of distortion or thundering gallop over equally blistering blast beats. It's a rare occurrence when a band decides to forgo this six string staple; the only example this reviewer is aware of is Botanist, who instead opt for hammered dulcimers and harmonium. But when a guitar-less black metal album does surface, fans of the genre typically take notice to see if the experiment pays off. As such, the union of piano and drums in unholy matrimony on Wreche's self-titled debut makes for an intriguing experience that's deserving of at least an exploratory listen.