As Fenriz (of Darkthrone/now political fame) once said, the line between black and crust was inevitably erased with the release of His Hero Is Gone's monumental album "Monuments To Thieves". At first this blurring of genres was subtle as artists found success in one another's respective scenes. Then, as artists like Fall Of Efrafra and Nux Vomica began to emerge with the turn of the century what was once truly a line in the sand was fully erased. Black metal bands swarmed to crust stylings in force and vica-versa. Soon a whole new generation of artists had emerged and it became standard that no black metal album was complete with out a d-beat and no crust album without a black metal riff. It was during these years that West Flander's/Belgium's Oathbreaker began to find their footing with an abrasive, but often heavily melodic, blend of post hardcore, hardcore, and black metal. Like many of their peers at the time they leaned heavily into the more crust/hardcore oriented territory of their sound, but with Rheia Oathbreaker finally breaks free of this constraint, bringing their influences full circle to create an intoxicating, dynamic album.