Perhaps no one musician has contributed to the cello's prominence and presence in the field of experimental music as Randall Holt but the name might not even be familiar to you unless you're well versed in the Austin musical scene, the post rock landscape or other experimental/jazz circles. But the fact remains that he totes one of the finest pedigrees in the market. He collaborates or has collaborated with the likes of Thor Harris (drummer for Swans), Jonathan Horne (another of Austin's elite of hardworking musicians, also the guitarist for The Young Mothers), Godspeed You! Black Emperor, Thee Silver Mt. Zion Memorial Orchestra, and Adam Rudolph, one of the most important jazz composers and percussionists in the world. In 2016, Holt was ready to foray out into the world by himself with a haunting and beautiful album titled "Inside The Kingdom of Splendor and Madness" and boy is it a ride. We're proud to stream the full album here today to celebrate the album's physical release, on cassette and CD, so head on over below for a taste and we'll talk more after.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
I've been meditating on why we even started Editors' Picks; the concept itself seems odd. It's a remnant of old journalistic structure, where the editor in a publication was this authoritative and prestigious figure, cloaked in years of experience and insight. That's hardly the case anymore, in Heavy Blog and outside of it, as Internet structures break down the gates between individuals and editorial privileges. And that's why it's a good thing we have this column; it enables the unique voices which have broken through to the editorial body of the blog to speak outside of consensus.
2017. As metal in the Internet Age continues to proliferate, its identity is in constant shift. Ideas about which genres mean what, the role of politics on music, the very fabric of the financial institutions which create the scene, all come into question as the barriers between fan, musician and business man collapse. And yet, despite of what alarmists might say to the contrary, great music is still being made across a wide variety of genres, inside and outside of the metal strata. That's why these mid year lists are important; they allow us to more carefully consider the lighthouse releases thus far released during the year and the trends which they signify. When making this list, we attempted to consider truly stand out albums, which have something interesting to say about their respective genres, the artists themselves and the interplay therein. Thus, your mileage may vary. The idea of this list is not to be definitive or exhaustive. Indeed, such an effort would be inherently doomed to fail. Instead, this list attempts to present a facet into the trends running through our community as they manifest inside the Heavy Blog staff's "collective taste". As you read it, consider your own relationship to the insane amount of music and the ways in which you filter it. Perhaps we can offer our own alternative viewpoint.