Following a disappointing run that had lasted nearly a decade, Marilyn Manson made a fairly compelling (if not completely convincing) comeback with 2015’s The Pale Emperor. This not-quite-return-to-form also seemed to coincided with a stabilisation and cleaning up of the troubled shock rocker’s personal life, and it caused a stir among those who had all but written off the former "antichrist superstar," leaving many wondering whether that album would prove to be a one-off glimpse of his former greatness or if he was capable of pulling-off a similar feat in the future. Although hopes remained high, alarm bells began to ring when it was announced that the follow-up to that record would be titled "Say10" and was slated for release on Valentine’s Day. Thankfully, that potentially embarrassing set of circumstances never came to fruition. The release was pulled with little fanfare or explanation—eventually emerging eight months later under the considerably less sophomoric title Heaven Upside Down, on the nondescript date of October 6 (although the first single being released on September 11 seems hardly coincidental). It eventually emerged that Manson was unhappy with the release in it’s earlier form and three extra tracks—it’s beginning, central and ending numbers—were added in the interim before its eventual release. The one-time “god of fuck” appears to have made the right call because, while Heaven Upside Down remains a far cry from the output of his glory period, it also provides further evidence that there’s still more than a little bit of Satanic gas left in his proverbial tank. Unfortunately, it also proves to be a release underpinned by a number of regrettable circumstances and uncomfortable revelations.