Yes, I know I've just written one of these posts where I said I rarely dedicate one to the same band but it's really not my fault that bands we've already covered here keep releasing amazing music. It probably is my fault, however, that the format of these posts didn't really take that into account. I'll say a few prayers to a delay pedal in penance. For now, let's talk about Afformance again. These guys, based in Athens, Greece, peddle in the most cinematic and expansive kind of post rock. Thing is, they make it work, standing high above the cut in the sea of mediocrity that has unfortunately come to categorize this brand of post rock in the past few years. Just last month, they released two albums: Pop Nihilism and Music For Imaginary Film #1 and while the former is just fine the latter is where I'd like to focus today.
When Scott and I started up The Jazz Club the better part of a year ago, we had intended to make this a monthly feature that would give us and other Heavy Blog staff members a forum to discuss music from all over the jazz spectrum, both new and old. Given the fact that we only got through two articles and the last one was from July 2015, clearly we have fallen well short of that goal. But now we're back, and we're more determined than ever to make this a regular monthly column. For our comeback piece, we've chosen another recent release that's attracted a surprising amount of crossover and mainstream appeal, acoustic piano trio GoGo Penguin's Man Made Object. Along the way we also discuss a couple of other groups who have been blending groove-heavy jazz with electronic elements and influences, Portico Quartet and Skalpel. Scott and I were joined by fellow editor Eden for this one, and our conversation definitely ran a bit on the long side, but we've decided to keep it largely intact as we really enjoyed where it went. We hope you enjoy it, too!