September ends and with it, Summer fully dies. Especially where I’m presently at, the East Coast of the United States, the first brushes of Autumn are being felt. To be honest, there’s no better time of the year for metal; sure, Winter is black metal’s eternal domain but Autumn lends…
Editor’s Note: I’m glad to welcome longtime reader Remi VL as a regular guest contributor to our Release Day Roundup posts! He submitted several of the albums listed below. Join his Facebook group for more recommendations. -Scott Murphy Each month, we always seem to come to the same conclusion when…
Hello, and welcome to the final post we will have about 2018! Yes, it’s late January. And yes, this is coming out much later than in previous years. After several years of completely burning myself out assembling these industry lists, I made the decision early on in planning out our…
If last year (and the year previous) is anything to go by, the tail end of January will be the real start to the year, in music. 2018 really kicked into gear when the hangover of the new year subsided, and this year Holy Roar have something a little bit…
Achieving crossover appeal among the metal community has become quite a bit easier as times trudged along. Even poppy, synth-laden genres like retrowave have found a warm spot in some metalheads’ blackened hearts. This is a more than a welcome phenomenon in my eyes; many of my flings and favs…
Emotional attachment to a band’s music is a two-edged sword. As a listener, there’s a sense of depth provided by these kinds of records that other music just does not provide. It’s a transport to time and place, a vehicle for our memories and states of mind when the music…
This should go without saying, but women have always had the ability to excel at playing guitar, and they often have. The rock and metal scene specifically has benefited from the contributions of players like Chelsea Wolfe, Liz Buckingham (Electric Wizard), Simone Dow (Voyager), Nancy Wilson (Heart), Lori Von Linstruth (Ayreon), Sarah Longfield, Laura…
This post has been a long time coming. Heavy Blog has been around for almost 10 years now, and in that time we’ve grown in every possible way. The breadth of music that we cover has grown. We’ve launched new initiatives, such as the podcast Noyan and Eden have made…
Lists. People love them and love to hate them. There is always going to be a bunch of things to criticize end-of-year lists about, and many of those criticisms will always have merit. Placing any sort of artificially-objective construct onto something that is as wholly subjective a thing as listening…
Editor’s note: Yes, it’s that time of the year again! While our own Album of the Year list is coming down the line, we have a ton of end of year content for you. Over the next two weeks, we’ll be exploring 2017 in various of ways: through curated summaries for specific genres, editorials on specific phenomena we found interesting and, of course, guest lists! This time around, we have one of the most exciting bands currently in operation: Dreadnought! Hailing from the by-now vaunted scene from Denver, Dreadnought traffic in the areas around doom metal, introducing influences from black metal, folk rock and progressive rock. Their albums are true monoliths of complexity and melody, with this year’s A Wake in Sacred Waves denoting somewhat of a high water mark for any bands wishing to work in the space of experimental doom. Their list is as diverse as you would expect; from the jazz styling of none other than the legendary Thundercat, through the blackened wastes of Ruins of Beverast and all the way back to the off-kilter musings of Bjork, their list draws from as many directions as their music does.
So, without wasting any more of your time, here is Dreadnought’s Top 10 albums for 2017!
