Music considered “psychedelic” tends to fall, loosely, into two categories. The first camp includes weird, off-kilter compositions, lots of trippy vocal effects and weird keyboard/synth flourishes (Animal Collective, Black Moth Super Rainbow, The Flaming Lips). The second camp tends to be defined by long instrumental passages, mostly partially or totally improvised jams (Earthless, Kyuss, Sleep, Phish, Grateful Dead). Billed as a “psychedelic stab of death infused metal,” Skeleton of God’s Primordial Dimension is the rare animal that combines both camps in a heady crockpot of healthy extreme metal.
There are bands whose members keep to themselves, and when their career is up, they recede into the background, never really to be heard from again, except for maybe a side project that is inevitably less well-received than their main band. However, there exists another breed of musicians that seem to make an entire scene out of their own presence alone, and manage to both write solid music and remain incredibly prolific.