Editor's note: welcome back to our Heavy Blog Guest List feature where we give some of the bands we covered (or just adored) in 2016 a chance to publish their own Top 10 Albums of 2016. This time around we have Cyborg Octopus, a band who produced one of the funnest and most well thought out progressive metal albums of the year. Their approach to differing influences, ideas and styles can definitely be seen reflected in their chosen Top 10, which is, once again, presented to you the reader completely unedited and untouched! If you're interesting in the kind of music that a group with these far-flung tastes might make, check out their album below. Enjoy the list!
After getting over the initial shock of my words “No, I haven’t heard of him before,” my fellow photographer quickly assured me that this should would not leave me disappointed. For a moment, he paused and set aside his own duty of being at the show to review it and photograph it like I was. He began to tell me the history, from start to finish, of Andrew Bird. So many details of Mr. Bird’s talent in whistling, use of instruments and stage personality. He promised me that I would walk away thoroughly impressed as a new fan. I readied my camera and caressed anxious excitement to my waiting.
Ten years ago yesterday, on September 5, 2006, a little-known band from Brooklyn named Grizzly Bear released a rather unassuming album called Yellow House. It was technically their second album, though for all intents and purposes it was their first. Founding member, singer-songwriter Ed Droste, had released one full-length under the Grizzly Bear moniker a few years prior entitled Horn Of Plenty that featured drummer Christopher Bear. That album, though, wasn’t too much more than a collection of scraggly demos and sketches, a mere hint of the potential within. Yellow House brought with it the addition of fellow singer-songwriter Daniel Rossen - who had already made some minor waves in the NYC indie scene as one half of the hybrid folk and samples-heavy duo Department of Eagles - and multi-instrumentalist/producer Chris Taylor - who would rotate between bass and a multitude of woodwinds while almost singularly shaping the band’s recorded sound. This album was their first released as a full quartet and would turn out to be a powerful opening statement of what this group could achieve together. But that’s not why I’m writing this.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.