We're here to talk about Plini and why his music should be the blueprint for this growing genre. The reasons are many and, while chronology isn't that good of a reason, it might do to first mention that he's had his name on releases going as far back as 2011. His own releases, along 2013-2015, were tasteful, imaginative sojourns into well defined and enticing musical places. These set some of the main tropes of the genre, including the overall sleek yet colorful aesthetic surrounding the music. But what is it about Plini that makes him rise above the rest? In a growing genre that's already often sounding stale and repetitive, how does he manage to make music which is distinctly his and is interesting to boot? That's the purpose of this article, to examine Plini's appeal and strength of delivery and perhaps, along the way, take a good, hard look at nu-prog and all it has yet to learn.