Death’s Door 2017 // Death Metal’s Year in Review

Welcome to the final installment of Death’s Door in the Year of Our Nefarious Overlord 2017! Wipe your feet on the mat, remove that stupid holiday-induced smile from your face, and prepare yourself for ultimate year-end audio brutalization. Because, quite frankly, 2017 was one of the best years for death metal in decades. A bold statement indeed, and thankfully one with plenty of data in the form of amazing records to back it up. The overwhelming number of releases in this dirtiest of metal subgenres, coupled with the breadth of quality releases in each of the branches of the death metal tree, all accumulate to create one of the most impressive lists of death metal albums in a given year since the early 1990s. 2017 presented us with exceptional records at such an alarming clip that it was often a full-time task to keep track of them. Death metal this year was in equal measure mind-numbingly technical, socially forward-thinking, compositionally adventurous, and reverent of the past, generating albums that displayed with full clarity all that makes this music the metal behemoth that it is. What a time to be alive. In our final segment of Death’s Door for the year, we will be highlighting the trends and movements within death metal that we found to be the most significant, as well as our own personal top 15 death metal records on the year. Prepare yourself. Madness awaits.

Necrovorous – Plains of Decay

Old school death metal is in a state of resurgence unprecedented in the subgenre. Father Befouled, Necrowretch, Dead Congregation, Undergang, Portal, and a seemingly bottomless list of other bands have released record after pounding, flesh-tearing record heralding back to Incantation’s doom-laden, suffocating death metal, or Immolation’s fire-breathing aggression. The early 90s is a period of inspiration for many a young death metal band, and especially so for Necrovorous, whose new album Plains of Decay desecrates the shrines of old to create a death metal sound that is both incredibly aggressive and filthy on an unsettling level. If you hate this sound, go find another review of a record you may enjoy. If death metal that venerates its forebears is up your alley, prepare yourself. This record is quite good.

Decibel’s Toxic Nostalgia – Exploring the Magazine’s Narrow View of Modern Death Metal

The following article is a collaboration between editors Jonathan Adams and Scott Murphy.  Before we dive in, let’s make one thing clear—we and Decibel (“America’s only monthly extreme music magazine”) agree that 2017 has been an exceptional year for death metal. Jonathan has highlighted countless fantastic death metal albums this…

Undergang – Døden Læger Alle Sår

Only vulgar adjectives accurately describe the sounds fileted for public consumption by Danish trio Undergang. With a self-described M.O. of “regurgitating sewer death metal since 2008,” the band has spent the several years churning out bile-grade releases that harken back to the genre’s Nineties golden age. Indeed, albums such as…