The observant among you may find something familiar about LA’s up and coming hardcore firebrands Grand Lord High Master and their new song “Flexxx”; it actually made its debut over the holiday season as a part of our annual Heavy Comp Is Heavy compilation. In case you missed it, we’ve got its “official” premiere today before the album’s release this spring. Truthfully, “Flexxx” is a song so nice, we just had to debut it twice.
Denver’s Khemmis materialized as quickly and supernaturally as the panel van wizard-style illustrations that grace their album art. Absolution, their impressive debut album from the not-so-distant 2015, bubbled up as a critical favorite, garnering attention from publications large and small – no small feat for an upstart band in an already populated scene. Taking nods from old-school progenitors like Candlemass and Thin Lizzy, Khemmis carry diverse classic vibes into the modern era, zeroing in on a more alloyed kind of retro revival than peers like Pallbearer or The Sword. Somehow, in wizard-like fashion, they’ve quickly conjured their follow-up, Hunted, a record that polishes the ideas presented on Absolution, but ultimately feels like an all-too-familiar sequel.
While some subgenres of heavy music seem to fit better and have more of an impact on the listener during certain times of the year, there’s simply never a bad or inopportune time to throw on some sludge metal and envelop oneself in a sea of fuzz. Even though bands have been tipping their hats to the likes of Tony Iommi and Matt Pike for decades now, it almost always feels refreshing to hear a band casting aside their proclivities for dense orchestration and simply just rocking the fuck out. That’s where Florida’s Junior Bruce comes in.
No, not Warmonger; today’s band is Woe Monger, a new sludgy hardcore band out of Vancouver whose demo was released on Bandcamp just last week.
A lot of the bands I usually like to highlight during a Hey! Listen To article are bands that haven’t made a lot of headway into the mainstream, but nonetheless have a few albums under their belt. Of course there are always exceptions to that latter rule, like my support of Ukranian thrash band Hellcome or the folk metal outfit that I refuse to shut up about, Goatspsalm, and, in this entry, Turkey’s Mammoths on Giants.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Welcome to another week of No Heroes In New England, the column where we take a glimpse into the hardcore goings-on in the land of the Patriots and give some lesser-known bands some much deserved kudos. The definition of “hardcore” in this context is a loose one, as the bands…
Norway’s Kvelertak experienced an explosive arrival to the metal scene in 2010 with the release of their universally acclaimed self-titled debut. Buzz spread almost overnight as their would-be niche black n’ roll experience found worldwide audiences and the attention of major label Roadrunner Records. The unabashedly catchy blend of black metal, hardcore punk, and cheesy classic rock riffs was a new experience to such a wide audience, and Kvelertak was quick to become a landmark album not just because of its novelty, but because of its genuinely exciting songs. So where are we now, six years and two albums later?
Hi, friends! We’re back again with another sick Decibel Magazine Tour in our photographic ranks! Last year, we were blessed with an At The Gates headlining tour alongside their first album in nearly twenty years! This year, the mighty Abbath, following his split from Immortal, brought his icy winds from…
For Fans Of is a column that takes one very well-known and popular band that our writers and readers are fans of, and then our staff write about a small group of lesser-known bands that do similar things and who we think you all might like as well and give a listen to.
Whenever we discuss the topic of discussion for our next For Fans Of segment, one of the first things we consider is what genres we haven’t picked veteran bands from yet. FFO: Emperor came about due to the desire to cover black metal, and this time around, the colossal riffs of doom metal became the theme of the nominating process. And while there’s no shortage of bands deserving of the inaugural doom FFO, there’s really no contesting our final selection of stoner-doom legends Sleep, one of the pinnacles of the genre with an amount of influence approaching that of Black Sabbath. From the the heavy stoner imagery to the even heavier riffs to the band’s demise creating to equally incredible bands (High on Fire and Om), there really is no way to understate just how important these Cali potheads were for the genre and metal as whole. As we all wait for the recently reunited band to (hopefully) release a new full-length, check out some of the newer doom bands that have capably carried the pot leaf flag into new and exciting territory.