Tag Archive: Deftones


This is an odd one for us to be posting for sure, but there is a reason, trust me. In my highest peak of untr00 in 2010 I named Circa Survive‘s Blue Sky Noise as my favourite non-heavy album of the year, and contender for the ultimate crown that year. It’s a really fucking special record, and also has the added benefit of being one that I can blast without making my girlfriend’s ears bleed.

Anthony Green is Circa Survive’s exceptional frontman – although he can be somewhat divisive, in that his vocal style is quite effeminate (it’s not ridiculous by any stretch, but the height his voice can reach at times is beyond ranges others employ) – but he also has his own solo work beyond the band, and he’s releasing his new record Beautiful Things next week on January 16th.

Particularly interesting for you guys is that Deftones‘ Chino Moreno guest stars on one of the album’s bonus tracks, as well as Ida Maria, a Norwegian rock musician.

The full album can be streamed at Anthony’s website here, but ‘Right Outside‘ with Moreno is available over at Rolling Stone. Green apparently wrote the song after listening to Chino’s side project ††† (Crosses)’s EP. Cool stuff!

Beautiful Things is out next week through Photo Finish.

- CG

 

Record Store Day, the bastion of the independent music retailer, already has a huge string to its bow – a notch for its bedpost, if you will – for their fifth year in 2012, in the form of a special split 7″ record proposed from Mastodon and Feist.

If this comes off I’m sure it’ll be great; despite some negative criticism of The Hunter, I still think Mastodon have more than got ‘it’.

Bassist and vocalist Troy Sanders let slip the news in this interview with MTV Canada:

With the support Record Store Day received from the likes of Deftones, Foo Fighters and Rush, I’m sure there’ll be a plethora of additional support for RSD 2012, which I believe is happening on April 21st.

- CG

Junius

Reports From the Threshold of Death

01. Betray the Grave
02. All Shall Float
03. Dance on Blood
04. A Universe Without Stars
05. Haunts For Love
06. The Meeting of Pasts
07. (Spirit Guidance)
08. A Reflection on Fire
09. Transcend the Ghost
10. Eidolon & Perispirit

[10/25/11]
[Prosthetic Records]

I’m at an impasse, you see? Allow me to pose an example which may make my predicament make sense to you. I’m listening to Junius’ sophomore full length. I can point out the marvelous voice of Joseph Martinez, the stellar production, the unique atmosphere. Everything seems to be set for a super high score. After listening through the album two times, I’m in the mood for something different. I get off the computer and head into my bedroom to check up on some college football. After about 30 minutes, I start to recollect moments from this album so I can starting forming the basis for a review. However, something odd happened, which startled me, as it has never happened to me before. I can’t remember a single moment from this album. And that, ladies and gentlemen, is the problem.

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It’s a damn shame that it took Ghost being denied entry into the United States for me to know who Junius (their replacement on the Enslaved tour) were. How the hell did I not know who they were? Seriously, what little I’ve heard of them so far is fantastic. They’re a bit reminiscent of a doom-oriented amalgamation of Dredg, Deftones, and Fair To Midland. This is obviously pretty damn awesome.

Junius happen to have a new album coming out October 25th on Prosthetic Records called Reports From The Threshold Of Death, and I’m kind of excited for it. Guitar World premiered a new song from the record called “A Universe Without Stars. You can stream it at Guitar World or via the Soundcloud player below.

Keep up with Junius on Facebook, where you can stream more music.

- JR

I really am trying; honest.

So Deftones have released a new video for the track “Beauty School” from last year’s stand-out album Diamond Eyes. It’s centred around their live show set-up from what I can tell, which isn’t that interesting admittedly, but it’s one of those ‘intimate, seeing the band how they really are’ deals, which might well be your bag, baby.

We loved Diamond Eyes, and you should too. Awesome album, awesome song.

- CG

Suicide Silence – The Black Crown

Suicide Silence

The Black Crown

01. Slaves to Substance
02. O.C.D.
03. Human Violence
04. You Only Live Once
05. Fuck Everything
06. March To The Black Crown
07. Witness The Addiction
08. Cross-Eyed Catastrophe
09. Smashed
10. The Only Thing That Sets Us Apart
11. Cancerous Skies

[07/12/11]
[Century Media]

Suicide Silence catch the ire of many a metal fan, myself included. I can’t say I can blame anyone who does on passing, with relentless breakdowns and an annoying birdlike frontman who doesn’t have much of an employment prospect available outside of being a vocalist. Luckily for him, Suicide Silence is doing just fine, and if The Black Crown is any indication, they will continue to be.

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Being ever diligent and putting in way more effort than I care to in a given day, The PRP picked up on an interview that frontman Chino Moreno gave with Billboard. Apparently later this year after the intense touring cycle is over, Deftones plan to write a new album:

“We’re going to have a month off, but in that month we’re talking about going in and starting to write again, maybe even two or three weeks in a rehearsal spot just recording ideas and keeping it going, so if all goes well hopefully we’ll have some product for early next year.”

Beyond stoked. It doesn’t feel like it’s been that long since Diamond Eyes dropped, barely even a year. It’s good that they’re still soldiering on and are getting in the groove of things. It seems to me that Deftones are hitting their second peak with the acclaim of Diamond Eyes and the spectacular tours with Mastodon/Alice in Chains and Dillinger Escape Plan. Might as well keep on sprinting!

If you’ve somehow forgotten how awesome Diamond Eyes is, here’s the title track for your aural pleasure.

- JR

 

UPDATE: As reader SC pointed out, some participating record shops signed a pledge promising that they will sell unsold exclusive day releases online the day after at the same price, effectively making my point moot. Disregard my nonsense and sit on your hands until the day after!

 

WELP.

If you didn’t know, April 16th is Record Store Day, a day dedicated to celebrating local independent record stores. The physical format is dying in popularity in favor of the instant gratification and convenience of iTunes and other mp3 stores. Oh, and piracy. That certainly put a boot in the ass of record stores everywhere. I really do enjoy the idea of going to a record store though; the most I’ve had growing up is Wal-Mart and K-Mart. Since getting a taste in music that isn’t likely to be sold on Wal-Mart shelves, I’ve had to buy physical copies online. I’ve also gotten into buying limited vinyl releases, something which is impossible where I live. This is where my problem with Record Store Day lies.

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Returning We Hear The Larks

Proud England

01. Uprising
02. Vendetta
03. Unrest
04. Conquest

[03/10/11]
[Self-Released]

Eventually, a relatively new and trending subgenre will start to become oversaturated with derivative soundalikes. I’ve got to be honest with you folks, whenever I see the word “djent” in my inbox submissions, I have a tendency to skip over it unless its from someone I know or a band I already like. Call me a hypocrite in the comments section for the amount of high-mid groove that I adore and regularly feature here on Heavy Blog, but outside of some of the bigger names (Periphery, Tesseract, Uneven Structure) there’s not too a lot of bands I bother to keep up with in the hopes of not diminishing the impact that my favorite bands are making. Every now and then though, a band or project will sneak in that not only fits the style well, but does it as well if not better than those bigger names. As if you couldn’t guess the trajectory of my thought process, this applies to Jak Noble, aka Returning We Hear the Larks.

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What could very well be the tour of the year has announced its first batch of dates. And so far, the dates made me flaccid.

Apr. 14 – Seattle, WA – Paramount Theatre
Apr. 16 – Portland, OR – Crystal Ballroom
Apr. 18 – Vancouver, BC – Commodore Ballroom
Apr. 22 – Denver, CO – Ogden Theatre
Apr. 25 – Kansas City, MO – Harrah’s
Apr. 26 – St. Louis, MO – The Pageant
Apr. 28 – Minneapolis, MN – First Avenue
Apr. 29 – Milwaukee, WI – The Rave
Apr. 30 – Chicago, IL – Riviera Theatre
May 01 – Detroit, MI – Fillmore Theatre
May 04 – Montreal, QC – Metropolis
May 05 – Hampton, NH – Hampton Beach Casino
May 06 – Providence, RI – Lupo’s
May 07 – Hartford, CT – Webster Theatre
May 09 – Boston, MA – House of Blues
May 10 – Philadelphia, PA – Electric Factory
May 11 – Sayreville, NJ – Starland Ballroom
May 13 – New York, NY – Best Buy Theater
May 14 – New York, NY – Best Buy Theater

Come to the Midwest and the South, guys! GAW.

More dates to be announced soon enough. We’ll let you know!

- JR

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