Tag Archive: David Draiman


Not that many people have expressed a considerable level of qq over Disturbed‘s announcement that they’re taking an indefinite break after over a decade of touring, but frontman David Draiman has been baited by the backlash over his somewhat short-sighted reasoning into giving a caps-laden response. Never argue with The Internet, David; it’s not worth it. His original statement read:

“Many of those reasons are personal reasons, and many of those reasons have to do with the state of the music industry in general and the demise of hard rock and metal right now. The industry is still in a state of reformation; it is on the verge of collapse, in my opinion. It’s a frightening time, and I think after 10 to 12 years straight of touring it’s just a good time for Disturbed to go away for awhile and wait for the phoenix to rise from the ashes.”

Responding to the barrage of abuse over his derisive comments, he gave the following responses ENTIRELY IN FUCKING CAPSLOCK.

“…THE “DEMISE” OF HARD ROCK/HEAVY METAL I WAS REFERRING TO WAS THAT IT IS RELATIVELY IGNORED BY THE MEDIA IN GENERAL. IT IS STILL VERY MUCH ALIVE, AND STRONG. I BEAR WITNESS TO THAT, AS WELL AS THE 10-15,000 PEOPLE WE ARE PLAYING TO EVERY NIGHT.”

Fucking good. I don’t want every asshole I know listening to Between the Buried and Me. I don’t want teenagers writing on their shitty livejournals about how much Glassjaw‘s lyrics are an allegory of all human relationships. I like metal being underground. Pretty much everyone does. It’s only bands like Disturbed that equate success to playing to crowds of “10-15,000 people” every night. Can you imagine Lady Gaga making a metal album?

View Full Article »

Sometimes, successful hard rock bands can say things that are so outrageously stupid that I don’t even know where to begin to dissect their thought process. Here’s an excerpt from an interview that Disturbed frontman David Draiman gave during an interview with Billboard magazine regarding their hiatus:

“Many of those reasons are personal reasons, and many of those reasons have to do with the state of the music industry in general and the demise of hard rock and metal right now,” Draiman, who’s getting married in September, explains. “The industry is still in a state of reformation; it is on the verge of collapse, in my opinion. It’s a frightening time, and I think after 10 to 12 years straight of touring it’s just a good time for Disturbed to go away for awhile and wait for the Phoenix to rise from the ashes.”

Say what? “The demise of hard rock and metal”?! Sales for their most recent album and tour must have been disappointing. It’s hard to take a world-famous frontman whining about the state of the “industry” when bands with not even half of their fanbase size are flourishing now more than ever. Animals as Leaders‘ most recent headlining tour with Intronaut, Last Chance To Reason, Dead Letter Circus, and Evan Brewer sold out a handful of their shows, and so has Periphery‘s headlining tour in Australia. Granted, it’s not like AAL and Periphery are playing huge arena shows and practicing choreography like Disturbed are, which leads me to believe that David Draiman thinks Disturbed are too good to scale back operations. It’s either all or nothing?!

It’s a fact: the music industry is changing whether anyone likes it or not. Digital downloads are available at a few keystrokes, and people just don’t seem to feel the need to buy music anymore. The fact that Disturbed is bailing out instead of meeting the demands of the market leads me to believe that they’re in it for all the wrong reasons. Does the fact that they’ll never be able to make as much money off of anything they’ll ever write or have written since The Sickness bother them so much that they’re putting down their instruments? It certainly seems that way.

I’d be willing to bet that fans of underground music would be more willing to splurge on ticket sales, merch, and music than fans of mainstream rock music. There are much more dedicated fans putting themselves into a metal culture and lifestyle than any odd person who enjoys a Disturbed song when it comes on the radio. With this in mind, I’m going to take it with a grain of salt when the frontman of one of the highest grossing (so-called) “metal” acts out there says that metal is in demise, when it’s certainly more popular than it EVER was thanks to the growth of technology and the internet, where finding better music is easier than it used to be. Just because people don’t seem to care about Disturbed as much as they used to doesn’t mean the whole genre is in the shitter.

So yeah, maybe the whole major label “super rock star” cliche is done and over with, and Disturbed’s collective ego can’t take it. However, the real metal artists who put their time and effort into something real and ultimately humble and touring without the expectation that they’re going to be on the radio are still doing quite well. It’s not metal that’s in demise, it’s bands like Disturbed who are in trouble if they can’t adapt, and judging by the hiatus, it seems like they just can’t. If that’s the case, then ultimately, nothing of value was lost.

- JR

ENDITOL – ENDITOL

ENDITOL

ENDITOL

01. Monoculture
02. Ayin
03. Blame
04. Huath
05. Exterminans
06. Heavenvein
07. Scaven
08. Hope Universal

[Independent | 2010]

Take one part Dream Theater, one part Disturbed, and one part Strapping Young Lad and throw them in a blender. The end result is an interesting mixture called ENDITOL, a two-man project featuring Divinity‘s Sacha Laskow and AutoBody vocalist Jerrod Maxwell-Lyster.

As the album art would suggest, ENDITOL is a progressive and industrial tinged metal band with dark melodic atmosphere going on through the music. Just as Meshuggah and Strapping Young Lad, ENDITOL’s music can be chuggy without the annoyance and technical without all the directionless wank. The composition is on point, complete with tasty riffs and solos that are bound to get you hooked. Synths are also thrown in from time to time to exclamate the prog and minute industrial influences. All of this works together wonderfully in context and makes for a heavy and catchy experience.

View Full Article »

Powered by WordPress. Theme: Motion by 85ideas.