Looming Phenomenon: The Birth Of Post-Tech Death

Here, in the crucible of these bands and albums, a new genre is being formed, one that is emotionally stimulating and resolutely metal, equal parts intelligent and brutal, shaped by a constant musical dialogue between the simple and complex. Post-tech death is a treat for any fans of tech death and anybody who likes the concept, but wishes it wasn’t so sterile at times. Taking the best parts of the genre and twisting them to create original, engaging music, it’s a genre that is forward-focused and evolving, unique and fulfilling. And best of all, it’s just getting started.

Progress, Erase, Improve? The Case For Progressive Death Metal

My fingers itch to start this article with yet another semi-apologetic defense of the use of sub-genres but I'll resist that urge. By now, I'm sure most of you are aware of the way I approach such things and why I find them useful. If you're not, head on over to my Taxonomy of Progressive Metal piece to get a good idea. Funnily enough (or not) we start here as well from Progressive Metal; in this case, we're going to take a look at a vanishing category, a branch in the extensive history of the genre that, somehow, disappeared. That category is progressive death, a style which first flourished in the mid 90's but was then swept away in favor of both revisionism and the laziness that permeates most human interactions. Instead of retaining its clearly distinct and unique attributes and standing out as another pillar within metal, it was somehow sublimated, swallowed into a category with which it had a few conjoining points, consumed like in a weird osmosis.

The Saxophone: A Heavy Blog User’s Guide

It seems that as more heavy and progressive bands seek to experiment and differentiate themselves from the herd, they've been turning more often to adding in outside influences and instruments, with jazz and sax being at the forefront, which, at face value, is great! Like any other tool though, you have to know how to wield and implement it properly or it simply doesn't work, and that seems to be what we're faced with currently: a glut of saxophone solos and parts in metal and prog that exist primarily for the novelty of hearing a saxophone in unexpected places rather than using them in ways that actively connect to and enhance the music around them. This isn't so much a guide to music and bands that use sax particularly well or poorly (though I will use examples from time to time), but more so a crash course in what the instrument can actually do and some best practices for using it. School's in session, and you can call me Professor Sax (please don't actually do this; Mr. Sax will suffice).

10 – Of 2015 And Blog

Welcome to the final episode of the year! This week we go over what happened in the metal world in 2015, both in terms of our favorite albums of 2015, happenings in the scene, and some articles we published this year that we thought were noteworthy. At the end, we have a bonus discussion about our favorite movies and video games of the year!

5 – Black Astrology

After getting Native Construct as guests last week, we're back to our regular format for our fifth episode. This week on Heavy Pod Is Heavy Cast, Eden and I discuss new music from David Bowie, Obscura, Vipassi,... Read More...