As I wrote in my review of LA post/math-rock enclave Arms of Tripoli’s recent sophomore album Daughters, I have a particular soft spot for the band not only because they clearly pull influence from so many instrumental and progressive bands that I already love, but also because they were the first band I came to know and love specifically through writing for Heavy Blog back in 2014 for their debut full-length Dream In Tongues. In my mind the band are just about everything that is good about instrumental post-rock without any of the bloat, mediocrity, and tediousness that plagues so much of the genre and its heavier cousins in post-metal. I’ve been following them closely since and eagerly awaited their next release. So when Arms’ bassist Mike Bouvet reached out to me personally about the upcoming release of Daughters, I knew that I wanted to talk to them about a whole bunch of things. Over a few e-mails we discussed their formation, their collaboration and improv-focused writing process, what sets them apart from most post-rock bands out there, and, of course, eggs.
Welcome back to Jazz Club! It’s been a while since the three of us (Jimmy, Nick and Scott) sat down to dissect the one of our favorite genres, which was most recently a conversation about BADBADNOTGOOD’s excellent 2016 album IV. In that discussion, we tossed around the idea of pooling together a list of some of our favorite new jazz releases, something we’re excited to finally begin today with our first installment of Jazz Quarterly. This is also offering us an opportunity and excuse to get ourselves back in the habit of listening to new jazz regularly, which, if you’re anything like at least a couple of us (namely Nick) has been something we’ve been meaning to get back into for far too long. There are a few places now that offer some great monthly curated lists like Bandcamp, Stereogum, and more, and you’ll likely notice that a bunch of these selections are pulled from there because they provide a valuable resource for even supposed “curators” such as ourselves. As each of us prefers different flavors of the genre, you’ll find an eclectic list of recommendations below, ranging from more traditional offerings to experimental blends of jazz with Indian classical music, doom metal sensibilities, electronic music, progressive rock and much more. We’d be genuinely shocked if you can’t find at least one release worth your time from this list, so without wasting any more time, feel free to dive in to the best the genre’s had to offer so far this year.