EXCLUSIVE PREMIERE: Experience Enthralling Sonic Landscapes with Horne + Holt’s Cello and Guitar Mastery

Premiering new music from familiar faces is one of our favorite things to do. Not only does it give us the chance to highlight more incredible songs and albums, but it gives our readers another opportunity to discover an artist they may have missed the first time around. Which brings…

Post Rock Post // June 2018

Hello, I have returned! All the thanks to my brother from across the world, Eden, for taking ownership of this place for the past couple of months while I experienced multiple large life events (honeymoon, moving to a new state/metro area, getting a new job). I am back though to deliver you all the best in all things post-rock and metal. And I am doing so at an excellent time because I come bearing an awesome announcement!

Stream Randall Holt’s Powerful Cello Exploration Ahead Of Its Physical Re-release

Perhaps no one musician has contributed to the cello’s prominence and presence in the field of experimental music as Randall Holt but the name might not even be familiar to you unless you’re well versed in the Austin musical scene, the post rock landscape or other experimental/jazz circles. But the fact remains that he totes one of the finest pedigrees in the market. He collaborates or has collaborated with the likes of Thor Harris (drummer for Swans), Jonathan Horne (another of Austin’s elite of hardworking musicians, also the guitarist for The Young Mothers), Godspeed You! Black Emperor, Thee Silver Mt. Zion Memorial Orchestra, and Adam Rudolph, one of the most important jazz composers and percussionists in the world. In 2016, Holt was ready to foray out into the world by himself with a haunting and beautiful album titled “Inside The Kingdom of Splendor and Madness” and boy is it a ride. We’re proud to stream the full album here today to celebrate the album’s physical release, on cassette and CD, so head on over below for a taste and we’ll talk more after.

EXCLUSIVE PREMIERE: Listen To The First Track From Aesthesys’ Colorful “Achromata”

As anyone following the blog might by now know, I have a special place in my heart for the marriage between electronic music and post rock. Something about the lush textures of synths, expansive guitars and the “bright melancholy” of post rock just works incredibly well. A fine example of that is Aesthesys, a Russian band with a host of releases behind them who are now gearing up for their sophomore full length, Achromata. They blend strings, a sense of wonder and post rock sensibilities into one energetic whole, drawing obvious but necessary comparisons to 65daysofstatic but also This Patch of Sky and world’s end girlfriend. Head on down below to hear the opening track from the upcoming release, “Grauer Wald”!

119 – Don’t Blame Noyan Please

Noyan is away, so Eden hosts fellow blog editor, Nick Cusworth! This gives the two opportunity to talk about stuff that usually doesn’t come up on the cast which they use to shine a light on Jim Grey from Caligula’s Horse releasing a video for the A Capela segment on their latest album, Plini releasing a new track, and a deep dive on the changes undergoing the post rock scene, recommended bands that make post rock or metal and the close knit networks that make these scenes happen! Along the way, they mention bands like Man Mountain, This Patch of Sky, Town Portal, VASA, Rumour Cubes, The Physics House Band, Alpha Male Tea Party, Mountain, Below a Silent Sky, Flora, Soldat Hans and more!

Then, it’s time for the bad news. They start off with surprising opinions revolving around gun control, first from Run the Jewels’ Killer Mike and then from Taylor Swift. They then move on to the click-bait article published on The Washington Post which claims that physical sales exceeded digital ones in 2017. While that’s technically true, the two analyze why that happened and get pretty personal on vinyl and CDs! Lastly, there’s a trio of terrible politics from the metal community. The first is the ridicule in the wake of The Faceless breaking up again, and what that says about the community’s terrible perspectives on addiction. Then, there’s another statement from Decapitated who totally by accident (allegedly) misinterpret and represent the facts of their trial again. Finally, there’s the awful news of Inquisition’s Dagon involvement with child pornography and, surprise, the community’s desire to protect him.

Cool people time includes The Witcher 3, CW’s Black Lightning and Ninefox Gambit!

EXCLUSIVE PREMIERE: “No Man Needs Nothing” And You Need This New Track

Oh boy, that title really sucks, doesn’t it? Luckily, the music will more than make up for it. You might have noticed recently that we are really, really into what’s happening in the New England post rock scene. Both the result of many bands suddenly releasing music (like This Patch of Sky and upcoming titles by bands like Wess Meets West) and last year’s US edition of Dunk! Festival, that scene has had a huge spotlight pointed its way. That’s an exceptional thing, since it really has been making incredible post rock, for almost a decade now. And new names are constantly being added, like Man Mountain, of whom we are here to talk about. They’re getting ready to release their third album, Infinity Mirror, this Friday and you absolutely have to go this new track “No Man Needs Nothing” a listen. See you afterwards.

Post Rock Post – Echotide

You might be wondering why there have been so many of these lately. Some of it has to do with backlog; post rock is a notoriously hard genre to parse, sparse as it is, requiring more time from my ears to translate into words. But some of it is also to do with the sheer amount of interesting post rock that has been released this year. The true beauty of the volume of releases is its quality and variety. There have been great releases from more “classical” post rock bands, like Heron or Ranges, as well as releases doing new and interesting things with the formula, like Afformance or This Patch of Sky. Alongside these younger bands, we’ve also seen the successful return of massively important bands like sleepmakeswaves and Mogwai who have continued to grow their sound and solidify their legacy.

We’ll cover these trends more in depth as we near the year’s end but, for now, it’s safe to say that there’s a spirit of revival running through the oft-beleaguered genre. Adding to this revivification which, if we’re being honest, properly started last year or even a year before that, are Australian Echotide.