RateYourMusic lists Madvillainy as the fourth best hip-hop album ever, with a 4.10 rating (averaged from 11,175 ratings at the time of this writing). It’s worth noting that the albums that rank above Madvillainy—DJ Shadow’s Entroducing…, Nas’s Illimatic, and the top spot of Wu-Tang Clan’s Enter The Wu-Tang (36 Chambers)—were all made in the 1990s, when hip-hop had (arguably) matured artistically and cemented itself as a staple of modern music. (There’s a reason this time, concurrent to the late 80s, is still referred to as “The Golden Age of Hip-Hop.”) This album essentially cemented the careers of producer Madlib and rapper MF DOOM as well, shooting them into the upper echelons of underground hip-hop, and making them some of the people to work with in the genre. Essentially, we’re talking about an album that, by many, is considered flawless. So what is my beef with it?
Way back in 2015, Nick, Ryan and Scott kicked off Jazz Club with an in-depth discussion of Kamasi Washington’s phenomenal album The Epic, easily the greatest jazz album of that year and (arguably) the decade thus far. We’ve ventured in different themes since then though, opting for discussions ranging from current events (Ornette Coleman’s passing) to genre starter kits. Today we’re back with a conversation focused exclusively on a recent release that many of us view as a potential jazz AOTY for 2016. This time, Nick jumps aboard with Jazz Club dynamic duo Scott and Jimmy Two for a dissection of IV, the latest offering from Canadian quartet and overall jazz powerhouse BADBADNOTGOOD. The band has leveraged hip-hop, electronic music and jazz to create some of the most exciting music in the genre, so needless to say, we were stoked to see what their fourth proper release had to offer.