Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what’s been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the day’s releases to only our highest recommendations. Here you’ll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!
Another homegrown project we are immensely fond of comes straight from our dear editor-in-chief, the aforementioned Eden Kupermintz, and our good friend Greg Greenberg (Seven Circles), who, with guitarists Doug Van Bevers and Nick Maini and drummer Travis Orbin (ex-Periphery, Darkest Hour) form Instar, a beautiful fusion of post-rock, math-rock, jazz/metal fusion, and spoken word. Those who are at all familiar with Eden know that he is an ardent lover and connoisseur of sci-fi and a writer himself, and he lends his own illustrative prose and mellifluous voice to give the project a distinctly cosmic post-y feeling. The last time we mentioned the band on this site it was to recommend their debut EP, which featured Eden on one track and other guest vocalists on the other two. Eden has since joined the project as a full-fledged member, and if the lead track from their upcoming album Ex Nihilo Cycles "Stepping Stones" is any indication, Instar is prepared to take an enormous leap for their first full-length release.
As I wrote in my review of LA post/math-rock enclave Arms of Tripoli's recent sophomore album Daughters, I have a particular soft spot for the band not only because they clearly pull influence from so many instrumental and progressive bands that I already love, but also because they were the first band I came to know and love specifically through writing for Heavy Blog back in 2014 for their debut full-length Dream In Tongues. In my mind the band are just about everything that is good about instrumental post-rock without any of the bloat, mediocrity, and tediousness that plagues so much of the genre and its heavier cousins in post-metal. I've been following them closely since and eagerly awaited their next release. So when Arms' bassist Mike Bouvet reached out to me personally about the upcoming release of Daughters, I knew that I wanted to talk to them about a whole bunch of things. Over a few e-mails we discussed their formation, their collaboration and improv-focused writing process, what sets them apart from most post-rock bands out there, and, of course, eggs.
Man, 2017, y'all. We realize that it's kind of our m.o. to be proponents of the whole "Golden Age of Metal" narrative and be incredibly positive about the consistently great level of stuff that is being put out from pretty much every part of the musical spectrum, but it's such an easy thing to do when we are so constantly bombarded with new material that utterly consumes our attention. Even in months where one of us might not have as many new albums that really impressed them, without doubt there will be another one who could barely keep up because of all the superb releases from genres they pay close attention to. This April has certainly been no different in that regard, and we have a whole slew of top-notch albums to recommend to you all.
Last we wrote about the LA post/math-rock enclave Arms of Tripoli was for their 2014 debut full-length Dream In Tongues, which came to us out of nowhere and quickly became a blog favorite among several of us for its mixture of bright and summery post-rock and shoegaze sounds with some knottier and more math-y elements thrown in to keep things more than interesting. As a brief personal pretext to this, Dream In Tongues was one of the first albums I reviewed for Heavy Blog, was the first album I had given a very positive review of, and it was also quite possibly the first album that myself and now editor-in-chief Eden Kupermintz (both of us were still just mere innocent and not yet completely jaded newbie writers at that point) bonded over, thus forging a friendship and partnership that is responsible for much of what you know of Heavy Blog as today.
It's been a while since we've written one of these columns, and that's not because we dislike them. Past a certain point it starts to become more difficult to find important bands representing or making waves in a certain genre or sub-genre and finding a group of similar or tangentially-related bands to recommend. Up to this point though we haven't really written one of these posts as essentially a response or plea to listeners. Sometimes bands who execute a certain style or sound garner a lot of critical and popular praise to the point of being credited with some sort of innovation or something radically different from anything else out there when the reality is far from that. It's rarely the fault of the bands themselves though as they don't give themselves that kind of credit, but once in a while it's important for someone to politely correct consensus thinking and offer a little more context, and that is exactly what we're going to do here and now with the debut album from metal/jazz fusion band Nova Collective.