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  • Best of 2021
    Featured
    • Heavy Blog's Superlative List for 2021

      Eden Kupermintz
      January 17, 2022
      Best of 2021, Lists!
    Recent
    • Yearly Missive // 2021

      Eden Kupermintz
      January 17, 2022
    • Finding Meaning In Meaninglessness: A 2021 Survivor’s Guide

      Nick Cusworth
      January 17, 2022
    • Heavy Blog’s Top 50 Albums of 2021

      Heavy Blog
      January 17, 2022
    • A World In Which Music Exists – 2021 In Review

      Eden Kupermintz
      January 17, 2022
    • Post Rock Post // 2021 In Review

      Nick Cusworth
      January 17, 2022
    • Heavy Blog Staff’s Top 25 Albums of 2021

      Heavy Blog
      January 17, 2022
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    • Monthly Missive // July 2021

      Eden Kupermintz
      July 12, 2021
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    • Monthly Missive // May 2022

      Heavy Blog
      May 5, 2022
    • Monthly Missive // April 2022

      Heavy Blog
      April 7, 2022
    • Monthly Missive // March 2022

      Heavy Blog
      March 3, 2022
    • Yearly Missive // 2021

      Eden Kupermintz
      January 17, 2022
    • Monthly Missive // December 2021

      Eden Kupermintz
      December 7, 2021
    • Monthly Missive // November 2021

      Eden Kupermintz
      November 10, 2021
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      Karlo Doroc
      May 5, 2022
      A Gift to Artwork, Columns
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      Jonathan Adams
      May 5, 2022
      Columns, Kvlt Kolvmn
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      Jonathan Adams
      May 5, 2022
      Columns, Death's Door
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      Eden Kupermintz
      May 5, 2022
      Flash of the Blade
    • Post Rock Post // May 2022

      Eden Kupermintz
      May 5, 2022
      Post Rock Post
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      Heavy Blog
      May 5, 2022
      Editors' Picks
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      December 22, 2017
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      Bridget Hughes
      May 5, 2022
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      Eden Kupermintz
      April 7, 2022
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      Pete Williams
      April 7, 2022
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      Jimmy Rowe
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      Joshua Bulleid
      July 28, 2020
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      Scott Murphy
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Tagged marty friedman

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marty friedman
article placeholder

Peruse Some Samples Of The New Jeff Loomis Record

Jimmy Rowe
March 7, 2012
Video
With the new Jeff Loomis album Plains of Oblivion *ahem* looming on the horizon (sorry), I've been anticipating this record with a bit of excitement. The established shredder served his time in Nevermore and ... Read More...

Basick Records Offer Update On Skyharbor’s Blinding White Noise

Heavy Blog
February 10, 2012
News
With the release of Chimp Spanner's exemplary All Roads Lead Here now in the past, Basick Records have wasted no time in announcing the next release, which is to be November singing Skyharbor's album Blinding... Read More...
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Comments From Hell (04/11-04/17)

Heavy Blog
April 18, 2010
Editorials
Chris Catharsis brings you the week in review of metal bullshit every Sunday.  All the news you might have missed and whatever else is on the chopping block! Well here I am - writing my first post for HBIH... Read More...
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Marty Friedman and Andrew WK Go Japanese

Jimmy Rowe
December 30, 2009
Video
So if you're like me and wondering what the hell that was all about, former Megadeth guitarist Marty Friedman would like to explain: The song is called "Kiba", which means "fang." It came about when I was off... Read More...
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Latest Reviews

  • Moon Tooth – Phototroph

    Eden Kupermintz
    May 5, 2022
    By now, Moon Tooth have garnered themselves quite a following in the progressive metal spaces. This is no accident; the scene is hungry for the kind of upbeat and unrestrained music that Moon Tooth is creating. Good news then: Phototroph is by far the band’s most energetic and “poppy” release, and I mean that in the best way possible.
  • Path of Might – Deep Chrome

    Eden Kupermintz
    May 5, 2022
    Back in 2016, I first heard Path of Might's "Mountain of Flowers & Fruit", from their self-titled release, and I wa... Read More...
  • Atoll – Prepuce

    Bridget Hughes
    May 5, 2022
    A friend recently asked me a baffling question: Is Nicolas Cage a good actor? It’s a seemingly simple inquiry, right... Read More...
  • Eight Bells – Legacy of Ruin

    Eden Kupermintz
    April 7, 2022
    Legacy of Ruin very much continues Eight Bells' style of ethereal, haunting doom but splices it with more dynamic and muscular riffs, drums, and vocals for a new, and markedly improved, version of the band's sound. It is still an album to sink into to be sure, but it also affords the listener with more footholds on their way down.