80 – Stabbed Faceless By Silicon Valley

This was a week of diversions. Eden is back in his land, and I've seen Metallica live and am super amazed by them. Also, new music by Exist, Origin, Steven Wilson, and Rings of Saturn. Then we talk about some happenings. The shitshow surrounding The Faceless missing their New Zealand tour, Chester of Linkin Park telling fans to stab themselves in the face, and the sexual assault allegations leveled against PWR BTTM and the implications of that. Then Eden recommends some music - Brutus, Subetroth, and Arcadea featuring Brann Dailor of Mastodon. We then go into a cool people section discussing Get Out, Guardians of the Galaxy Vol 2, and Horizon: Zero Dawn. Then, just as we're about to finish up, Eden mentions his Re:publica experience, and we go into an extended discussion about the ethical responsibilities of the tech industry to explain themselves. Enjoy!

In Defense Of Linkin Park’s New Generic Pop Sound

Linkin Park are pop now. With their last three tracks - “Heavy,’’ “Battle Symphony’’ and “Good Goodbye’’ - they are one step closer to becoming an all-out boyband. Even for a band who are hated by a significant portion of metal circles, the new tracks have incurred the wrath and mockery of haters and fans alike. But it’s not that much of a grand departure either; Linkin Park has always been rooted in pop music to an extent. When they arrived on the scene during the apex of nu-metal, they brought a polished shine to the genre that was much more accessible than that of their peers. Hybrid Theory was a groundbreaking album in many ways, but it lacked the abrasiveness of Limp Bizkit and Korn records, offering a squeaky clean alternative to many of their peers. While pop elements can be found in the music of most popular nu-metal bands from the genre’s heyday, Linkin Park embraced them more on a grander scale from the get go.

76 – Nobody Expects The German Inquisition

This week we talk mainly about Woe's show in Hamburg being cancelled due to them sharing a stage with Inquisition, who organizers think is NSBM. That's a cool discussion, but for those of you who just want the news, I guess we have some stuff along those lines as well. New music and stuff from Exist, Suffocation, Dragonforce, Shadow of Intent, Jamiroquai, Artificial Brain, Tombs, Bestia Arcana. Also the mini-feud between ESP guitars and Linkin Park, and hologram Ronnie James Dio being a thing. Also the new Sikth album. Then cool people time on a bunch of TV and movie stuff. Prison Break, Ryan Reynolds, Cillian Murphy and more.

68 – Cynical And Technical

Eden has abandoned us yet again, so, statistically speaking, we'll probably have Ahmed or Nick with us this week. I guess you'll have to guess whom'st'd've!? We talk about some news/drama, new releases, and mainstream-metal interactions. Namely Dallas Toler-Wade leaving Nile and getting replaced with Brian of Enthean. Then Cynic drama following the recent release of their demo tapes. Then some new music. Galactic Empire (and Anchorhead), Dodecahedron, Artificial Brain, Body Count, Linkin Park, Reaping Asmodeia, Ogarya, John Frum, Born of Osiris. Of course we talk about the dude singing Necrophagist at Canadian Voice. And the Grammys, namely Megadeth and Metallica. Post-recording note: New Nile lineup is awesome. I'm stoked now. That fist bump was amazing.

56 – Feeling of Weight ft. A Sense of Gravity

Hey, we have guests this week as well! Namely Brendon Williams and C.J. Jenkins from A Sense of Gravity! We talk about the upcoming album Atrament, how they got to this point, and what it takes to make progressive metal. There's obviously more to it, so find out for yourself! Then we talk about news items, including the upcoming System of a Down album, Cyclamen's cover of Linkin Park, the new In Flames album, Betraying the Martyrs, the Ned Flanders themed band Okilly Dokilly, the "incredible" Pain of Salvation artwork, new Behold the Arctopus (also Indricothere), Khonsu, the brother band of Keep of Kalessin, Eagles of Death Metal and the Bataclan, Oathbreaker's Audiotree session, Hollow Earth, and this dank playlist. In the cool people section we discuss potential movie of the year Arrival. Enjoy!

54 – On Strange Hoops

As you can tell, we talk about the new Mithras album. Obviously, we talk about news. That is the established format of this podcast after all! We talk about the new Painted in Exile album (finally!), The Corelia kickstarter, the new Avenged Sevenfold album (that came out of nowhere), the new Korn album (yep), the Scale the Summit "breakup", the Allegaeon Patreaon, Frontierer's first live show and Arkona's new old song. We also reflect back on things, like Linkin Park's Hybrid Theory turning 16 and our discussion on Slice the Cake from last week. We also mention a few other things, like a Guitar Hero chart of A Sense of Gravity's Echo Chasers, and some shitty flute covers, including this excellent one of Dragonforce's masterpiece. Then, our underrated album, which is Rishloo's Living As Ghosts With Buildings As Teeth. Also, our cool people section covers some important topics! I promise!

Hey, That Sounds Familiar!

I’m sure we’ve all had it, that moment when you’re listening to a song and you think “Geez, I’m sure I’ve heard this somewhere before!”. Well, I get that a lot and sometimes, it turns out I have heard that befo... Read More...

In Defense Of: Minutes to Midnight

Linkin Park exploded onto the scene in 2000 with Hybrid Theory, an album which would become a hit of monolithic proportions as it enjoyed enormous commercial success, and a fair amount of critical success to go with it. Their 2003 follow-up Meteora continued in much the same vein, and was also received reasonably well. However, 2007’s Minutes to Midnight marked a significant turning point for the band and for its fans. In a move which sparked a significant backlash among their fans, the band moved on from their nu-metal roots and adopted a more experimental, alternative rock sound. Fans cried of how the band had sold out, abandoned their roots and gone soft, whilst music journalists branded it bland and a failed U2 rip-off. That being said, it’s now time to begin our defense of Linkin Park’s most underrated album.