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  • Best of 2021
    Featured

    • Heavy Blog's Superlative List for 2021

      Eden Kupermintz
      January 17, 2022
      Best of 2021, Lists!
    Recent

    • Yearly Missive // 2021

      Eden Kupermintz
      January 17, 2022

    • Finding Meaning In Meaninglessness: A 2021 Survivor’s Guide

      Nick Cusworth
      January 17, 2022

    • Heavy Blog’s Top 50 Albums of 2021

      Heavy Blog
      January 17, 2022

    • A World In Which Music Exists – 2021 In Review

      Eden Kupermintz
      January 17, 2022

    • Post Rock Post // 2021 In Review

      Nick Cusworth
      January 17, 2022

    • Heavy Blog Staff’s Top 25 Albums of 2021

      Heavy Blog
      January 17, 2022
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    • Monthly Missive // September 2021

      Heavy Blog
      September 8, 2021
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    • Monthly Missive // May 2022

      Heavy Blog
      May 5, 2022

    • Monthly Missive // April 2022

      Heavy Blog
      April 7, 2022

    • Monthly Missive // March 2022

      Heavy Blog
      March 3, 2022

    • Yearly Missive // 2021

      Eden Kupermintz
      January 17, 2022

    • Monthly Missive // December 2021

      Eden Kupermintz
      December 7, 2021

    • Monthly Missive // November 2021

      Eden Kupermintz
      November 10, 2021
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    • A Gift to Artwork // May 2022

      Karlo Doroc
      May 5, 2022
      A Gift to Artwork, Columns

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      Jonathan Adams
      May 5, 2022
      Columns, Kvlt Kolvmn

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      Jonathan Adams
      May 5, 2022
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      Eden Kupermintz
      May 5, 2022
      Flash of the Blade

    • Post Rock Post // May 2022

      Eden Kupermintz
      May 5, 2022
      Post Rock Post

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      Heavy Blog
      May 5, 2022
      Editors' Picks
    • A Gift to Artwork
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    • Doomsday
    • Editors’ Picks
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      Joshua Bulleid
      January 15, 2019
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      Eden Kupermintz
      May 5, 2022

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      Eden Kupermintz
      May 5, 2022

    • Atoll – Prepuce

      Bridget Hughes
      May 5, 2022

    • Eight Bells – Legacy of Ruin

      Eden Kupermintz
      April 7, 2022

    • Concert Review: YOB, Marquis Theater, Denver, CO, 3/24/22

      Pete Williams
      April 7, 2022

    • Undeath – It’s Time… To Rise From The Grave

      Jimmy Rowe
      April 7, 2022
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      Joshua Bulleid
      July 28, 2020
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      Scott Murphy
      May 20, 2022

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      Scott Murphy
      May 13, 2022

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      Scott Murphy
      May 13, 2022

    • Release Day Roundup – 5/6/22

      Scott Murphy
      May 6, 2022

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      Scott Murphy
      May 2, 2022

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      Scott Murphy
      April 29, 2022
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Tagged Landmine Marathon

Home
Landmine Marathon
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Stream Transient’s Self-Titled Debut In Full

Heavy Blog
September 17, 2013
News
Transient are a grindcore band featuring members of Book Of Belial, Black Hole Of Calcutta and Krysta Martinez, who you may as the vocalist who replaced Grace Perry after her departure from Landmine Marathon.... Read More...
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Landmine Marathon – Gallows

Heavy Blog
September 14, 2011
Reviews
Landmine Marathon Gallows 01. Three Snake Leaves 02. Cutting Flesh and Bone 03. Knife From My Sleeve 04. Liver and Lungs 05. Dead Horses 06. Cloaked in Red 07. Beaten and Left Blind 08. Morbidity ... Read More...

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Latest Reviews

  • Moon Tooth – Phototroph

    Eden Kupermintz
    May 5, 2022
    By now, Moon Tooth have garnered themselves quite a following in the progressive metal spaces. This is no accident; the scene is hungry for the kind of upbeat and unrestrained music that Moon Tooth is creating. Good news then: Phototroph is by far the band’s most energetic and “poppy” release, and I mean that in the best way possible.

  • Path of Might – Deep Chrome

    Eden Kupermintz
    May 5, 2022
    Back in 2016, I first heard Path of Might's "Mountain of Flowers & Fruit", from their self-titled release, and I wa... Read More...

  • Atoll – Prepuce

    Bridget Hughes
    May 5, 2022
    A friend recently asked me a baffling question: Is Nicolas Cage a good actor? It’s a seemingly simple inquiry, right... Read More...

  • Eight Bells – Legacy of Ruin

    Eden Kupermintz
    April 7, 2022
    Legacy of Ruin very much continues Eight Bells' style of ethereal, haunting doom but splices it with more dynamic and muscular riffs, drums, and vocals for a new, and markedly improved, version of the band's sound. It is still an album to sink into to be sure, but it also affords the listener with more footholds on their way down.