What Heavy Blog Is Really Listening To – 6/9/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Soundtracks For The Blind: Burning Ghosts // Reclamation

At the beginning of this year I covered a band called Burning Ghosts, a sort of free jazz/rock hybrid who expressed their want for change in an instrumental fashion. Their debut was chaotic and noisy but at the same time a harbinger of hope, with trumpeter Daniel Rosenboom’s piercing tone breaking through guitarist Jake Vossler’s most riotous noise-making techniques. I noted in that article that “if I had known about this band earlier, I can almost guarantee that this would be on my top ten of 2016,” and I still stand by that. Musically, Burning Ghosts was a much-needed voice to the experimental music scene—their loudness was matched by the delicate control and virtuosity they put towards their music, and the addition of trumpet to the lineup offered slightly different sonic variations to enjoy. And, to my surprise/luck/excitement, Burning Ghosts is releasing their sophomore album Reclamation this month on John Zorn’s Tzadik label.

Heavy Vanguard: Boredoms // Vision Creation Newsun

We’ve covered a lot of ground with Heavy Vanguard, from improvisation to sound art, and nearly ever genre someone has ever played around with, but you might notice there isn’t a whole lot of diversity in terms of nationality. Most of the acts we’ve gone over have been American or European. There’s nothing wrong with this, of course—good art is simply good art, and we shouldn’t put so much emphasis on the person creating the music as opposed to the music itself—but music knows no borders or boundaries, and this counts exponentially so for the avant-garde. There are free jazz scenes all over the world, and radical music being created in every country. This is why we finally decided to cover one of the countries best known for their experimental music, Japan, with one of the country’s best experimental rock bands ever, Boredoms.

Yazz Ahmed – La Saboteuse

World fusion’s possibilities are truly endless; this year alone, clarinetist/composer Wacław Zimpel led his ensemble Saagara through a blend of jazz and Indian classical music on 2, while Nguyên Lê and Ngo Hong Quang spliced Vietnamese folk music and jazz guitar on Hà Nội Duo. Not only does Yazz Ahmed ‘s phenomenal La Saboteuse add to 2017’s exceptional world fusion offerings, her sophomore album is easily one of the most significant releases in modern Arabic jazz. The London-based composer, trumpeter and flugelhorn player leads an eclectic nine-member ensemble through psychedelic chamber pieces that effortlessly continue in the legacy of Arabic jazz greats like Ahmed Abdul-Malik, Rabih Abou-Khalil and Anouar Brahem.

Dan Briggs of Between the Buried and Me — The Heavy Blog Is Heavy Interview [Part Two]

Back in March, I spent the better part of an hour speaking with Between the Buried and Me bassist Dan Briggs to discuss his myriad of projects and his development as a musician and evolution as a bass player. The first half of our talk was published last week, wherein we discussed collecting vinyl, the prog aesthetic, and the records that inspired him to first pick up a guitar — and eventually, bass and keyboards. In this second half of our interview, we discuss his new project Nova Collective and its place in the genre of jazz fusion. We also discuss the process of revisiting their modern classic Colors, and where the band goes from here.

John Frum – A Stirring in the Noos

Man, this has been quite the year for weird, skronky extreme metal, hasn’t it? In the past four full months, we’ve gotten releases ranging from great to genre-defining from Sunless, Dodecahedron, Ingurgitating Oblivion, Artificial Brain, and Ulsect, in roughly that order chronologically. It’s almost too much to handle, especially in a genre as heady and labyrinthine as this. Truly, our collective cup has been runnething over for some time now, and now John Frum is here to refill our cup once again, whether we like it or not.

What Heavy Blog Is Really Listening To – 4/28/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Heavy Vanguard: Naked City // Torture Garden

We’ve talked about John Zorn before on Heavy Vanguard (and everywhere else too), but not much about the project he’s most famously associated with: Naked City. Founded in 1988 and featuring a handful of the New York Downtown scene’s best players (Wayne Horvitz, Henry Cow’s Fred Frith, Bill Frisell, Joey Baron, and, later, Japan’s own Yamatsuka Eye) Naked City was on a quest to test the limits of a rock band format through a sort of free jazz/grindcore hybrid that played through nearly every style of music ever, all within a matter of seconds, referred to as “miniatures”.

What Heavy Blog Is Really Listening To – 4/14/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.