Swans – The Glowing Man

The Glowing Man caps off a four album musical victory lap from a reinvigorated Gira, who convened a group of new and old collaborators at the turn of the decade to culminate Swans' mission statement. A moderate re-introduction arrived with My Father Will Guide Me up a Rope to the Sky (2010), an admittedly great album that struggled with its reliance on ideas from Gira side-project Angels of Light. Yet, any early detractors scurried away once Swans unleashed The Seer (2012), easily one of the greatest albums of the decade and century thus far. Gira and crew's experimental capabilities and limitless mindset led to a magnanimous statement of mood, sound and anti-structure that leveraged every aspect of Swans' three-decade career in the most effective way possible. The Seer seemed inimitable, and To Be Kind (2014) proved that point correct - by demolishing Swans' already desolate structure and rebuilding it in an adjacent, bastardized fashion.

Love Of Cartography: A Taxonomy Of Post Rock

The goal of these taxonomy posts is not to provide an exhaustive and accurate list or definition of a certain genre or genres. Quite the opposite in fact: attempting to make such a complete list would only replace one stagnated image-object with another, creating an equally irrelevant definition, whether it can be considered currently accurate or not. Therefore, we want to keep some of that fuzz, to leave ends untied and room for further articles and discussion among our readers. We're not saying that this is going to be a series; these posts take far too much time and energy to commit to something like that. We are saying however that there's plenty more to discuss, within and without the progressive metal genre and we'll try and do that when we can. So, post rock. Post rock is a perfect candidate for such an examination. On the one hand, there's a very strong and often negative image of what post rock is. Seminal bands like Godspeed You! Black Emperor, God Is An Astronaut and Explosions In The Sky have enjoyed widespread, cultural popularity, solidifying the image of post rock in the eyes of the public. Pretentious, long-winded, dreamy, beautiful, cinematic, instrumental and rarified are all adjectives which were born from this image. Post rock was, and still is, perceived as a genre for the few, starry eyed and sentimental. Perhaps owing to just how good the afore-mentioned bands really are, their music also overpowered the conceptual space for the genre, leading people to expect certain things from the music that fell under the moniker.

Ramleh – Circular Time

There is an important observation to be made about the press release that accompanied our promo for Circular Time, which began by claiming that "it's been nearly twenty years since we last had a full-length alb... Read More...

8-Track: Swans

Few bands are as acclaimed and influential as prolific New York no wave legends Swans; fewer still have earned this status more than once in the span of their career. Over the course of thirteen albums and two ... Read More...