Swans – The Glowing Man

The Glowing Man caps off a four album musical victory lap from a reinvigorated Gira, who convened a group of new and old collaborators at the turn of the decade to culminate Swans' mission statement. A moderate re-introduction arrived with My Father Will Guide Me up a Rope to the Sky (2010), an admittedly great album that struggled with its reliance on ideas from Gira side-project Angels of Light. Yet, any early detractors scurried away once Swans unleashed The Seer (2012), easily one of the greatest albums of the decade and century thus far. Gira and crew's experimental capabilities and limitless mindset led to a magnanimous statement of mood, sound and anti-structure that leveraged every aspect of Swans' three-decade career in the most effective way possible. The Seer seemed inimitable, and To Be Kind (2014) proved that point correct - by demolishing Swans' already desolate structure and rebuilding it in an adjacent, bastardized fashion.

Hey! Listen to Hegemon!

The last few years have proven to be excellent years for other forms of black metal. In earlier editions of “Hey! Listen To This!”, I mentioned a great black metal group, Barshasketh, whose 2015 album Ophidian Henosis was one of my favorite albums of the year. While Barshasketh plays a sort of standard—albeit ear-catching—black metal, there are other bands that are doing different things with the genre that still stay within the bounds of standard black metal. France’s Hegemon is one of these bands, with a specific nod to their latest release, 2015’s The Hierarch.

Soon – Vol. 1

Doom metal is a hard genre to get right. As a sound with such a huge focus on balance - slow, but also fast enough, riffy, but also interesting enough, simple, but also complex enough - it can be incredibly har... Read More...