The original masters of technical death metal with eldritch, unsettling and innovative songwriting have finally come out with a new album after twelve years. The band had broken up due to the suicide of drummer Steve MacDonald. Several years later, Luc Lemay (founding member, guitarist, vocalist) reinvented the band in 2009 with an all-stars lineup consisting of himself, Colin Marston of Behold... The Arctopus, Dysrhythmia, Krallice and several other amazing bands on bass, Kevin Hufnagel of Dysrhythmia on guitar, and John Longstreth of Origin fame on drums. Considering the legacy of the band and how well regarded their 1998 album Obscura is even to this date, making a new album that doesn’t disappoint fans after more than a decade of waiting is an extremely tall order to say the least. Yet here we have Colored Sands, Gorguts’s fifth album, and it’s clear that Gorguts are back again.
Black metal is a curious beast; it can either be really beautiful and transcend the five senses we are born with and expose us to new pleasures previously unknown, or it can unlock seething vitriol and hatred, eschewing the misanthrope, violence, and racism for which the genre is notorious. Whatever the case, it’s easily one of the most controversial and centralized of all metal sub-genres. Every brand has its clique: trve kvlt, atmospheric, post, experimental, progressive, etc. All of these separate sub-sections stay within their limits, and so do the fans. Now there are some exceptions to the rule, of course, and there will always be overlap for those who love all metal, but as a whole metal fans --- and fans of music in general --- tend stick to their own little sphere. Krallice fall in the gray area; an area in which all boundaries are knocked down and the music encompasses far more genres and influences than ever thought.