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  • Best of 2021
    Featured

    • Heavy Blog's Superlative List for 2021

      Eden Kupermintz
      January 17, 2022
      Best of 2021, Lists!
    Recent

    • Yearly Missive // 2021

      Eden Kupermintz
      January 17, 2022

    • Finding Meaning In Meaninglessness: A 2021 Survivor’s Guide

      Nick Cusworth
      January 17, 2022

    • Heavy Blog’s Top 50 Albums of 2021

      Heavy Blog
      January 17, 2022

    • A World In Which Music Exists – 2021 In Review

      Eden Kupermintz
      January 17, 2022

    • Post Rock Post // 2021 In Review

      Nick Cusworth
      January 17, 2022

    • Heavy Blog Staff’s Top 25 Albums of 2021

      Heavy Blog
      January 17, 2022
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    • Monthly Missive // April 2022

      Heavy Blog
      April 7, 2022
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    • Monthly Missive // May 2022

      Heavy Blog
      May 5, 2022

    • Monthly Missive // March 2022

      Heavy Blog
      March 3, 2022

    • Yearly Missive // 2021

      Eden Kupermintz
      January 17, 2022

    • Monthly Missive // December 2021

      Eden Kupermintz
      December 7, 2021

    • Monthly Missive // November 2021

      Eden Kupermintz
      November 10, 2021

    • Monthly Missive // October 2021

      Heavy Blog
      October 5, 2021
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    • A Gift to Artwork // May 2022

      Karlo Doroc
      May 5, 2022
      A Gift to Artwork, Columns

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      Jonathan Adams
      May 5, 2022
      Columns, Kvlt Kolvmn

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      Jonathan Adams
      May 5, 2022
      Columns, Death's Door

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      Eden Kupermintz
      May 5, 2022
      Flash of the Blade

    • Post Rock Post // May 2022

      Eden Kupermintz
      May 5, 2022
      Post Rock Post

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      Heavy Blog
      May 5, 2022
      Editors' Picks
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    • Doomsday
    • Editors’ Picks
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    • Unmetal Monthly
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      • Black Metal
      • Death Metal
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      • Grindcore
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      • Progressive Metal
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      Pete Williams
      June 5, 2019
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      Eden Kupermintz
      May 5, 2022

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      Eden Kupermintz
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      Bridget Hughes
      May 5, 2022

    • Eight Bells – Legacy of Ruin

      Eden Kupermintz
      April 7, 2022

    • Concert Review: YOB, Marquis Theater, Denver, CO, 3/24/22

      Pete Williams
      April 7, 2022

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      Jimmy Rowe
      April 7, 2022
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      Joshua Bulleid
      July 28, 2020
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      Scott Murphy
      May 20, 2022

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      Scott Murphy
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      Scott Murphy
      May 13, 2022

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      Scott Murphy
      May 6, 2022

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      Scott Murphy
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      Scott Murphy
      April 29, 2022
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Tagged Born In Blood

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Born In Blood

Chimaira Touring A(n Age Of) Hell Of A Lot This Fall

Heavy Blog
September 22, 2011
Video
Chimaira are going to be busy boys this fall. Not only are they on tour with Impending Doom, Rise To Remain, and Revocation as of October 12th, but they will also be linking up with Skeletonwitch (fresh from ... Read More...
article placeholder

Catch Chimaira! Er…Not The Virus, Obviously

Heavy Blog
June 20, 2011
News
We were given an extremely short sneak-peek of new music from Chimaira a couple of weeks ago, and although it sounded pretty good, it lefts us wanting more. Well, we've got our wish, as the band recently premie... Read More...

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Latest Reviews

  • Moon Tooth – Phototroph

    Eden Kupermintz
    May 5, 2022
    By now, Moon Tooth have garnered themselves quite a following in the progressive metal spaces. This is no accident; the scene is hungry for the kind of upbeat and unrestrained music that Moon Tooth is creating. Good news then: Phototroph is by far the band’s most energetic and “poppy” release, and I mean that in the best way possible.

  • Path of Might – Deep Chrome

    Eden Kupermintz
    May 5, 2022
    Back in 2016, I first heard Path of Might's "Mountain of Flowers & Fruit", from their self-titled release, and I wa... Read More...

  • Atoll – Prepuce

    Bridget Hughes
    May 5, 2022
    A friend recently asked me a baffling question: Is Nicolas Cage a good actor? It’s a seemingly simple inquiry, right... Read More...

  • Eight Bells – Legacy of Ruin

    Eden Kupermintz
    April 7, 2022
    Legacy of Ruin very much continues Eight Bells' style of ethereal, haunting doom but splices it with more dynamic and muscular riffs, drums, and vocals for a new, and markedly improved, version of the band's sound. It is still an album to sink into to be sure, but it also affords the listener with more footholds on their way down.