Another day, another column about screamo. But today this is no ordinary column about screamo as today it focuses primarily on the impossible. Today this screamo column discusses the (pretty mind boggling) new music by legendary, defunct screamo act City of Caterpillar. It’s a pretty shocking development, followed only by…
That’s right it’s time again for your weekly dose of all things post hardcore, screamo, chaotic hardcore, and sass in this weeks Grind My Tears, the superior column to its cousin Grind My Tears. Last week introduced a new track from Texas’s own Lyed, once again celebrated the always wonderful Ostraca, and turned its gaze to the West Coast to put the spotlight on sass-revivers SeeYouSpaceCowboy. This week, however, will remain centralized on the (far superior) East Coast and some of the bands currently driving the scene there.
Making only its second appearance now, Grind My Tears is the screamo/”skramz” centric counterpart to our reoccurring Grind My Gears column. This is necessary as screamo is, admittedly, the far superior counterpart to basically any other genre with blast beats. It may not be peoples favorite thing to hear but its the hard truth, and therefore must be shared.
It is in this new generation of emotionally charged, horrendously heavy music where we find Portrayal of Guilt. The band, hailing from Texas, does not play in the more direct style of thrash and emo, however. Instead they opt to play a far more brutal combination, blending the hectic, crazed pace of screamo with harsh black metal. It is a frightening combination, one that draws on the emotional torment inherent in both genres, and mixes them together into a truly pained form of musical catharsis. Add to that a little bit of 90’s metalcore in the vein of Coalesce and Converge, and you have one truly hectic blend of music.
I present to you Grind My Tears, the cleverly named screamo and post hardcore centric counterpart to our series Grind My Gears. Below you will find a slew of the most promising screamo acts and records that have caught my attention in the past year or two. The first featured spot on this segment belongs to probably one of my favorite releases of this year (so far), the split LP between modern screamo mainstays Ostraca and Fleshborn. Titled Faces of the Moving Year, the split works well to showcase both bands unique takes on screamo, highlighting the vast differences within screamo itself, as well as playing off the tension created between the drastic contrast of the two bands.