Trivium – What the Dead Men Say

Trivium have had a colorful career. From blowing up in 2005 with their sophomore release Ascendancy to creating a widely beloved genre-defying masterpiece in Shogun, they’ve known various heights of acclaim. In Waves is also generally quite well-lived, but then things got a bit shakier. They went through various drummers, frontman Matt Heafy had problems with his voice, and some of their albums weren’t as widely appealing as their older work. To some, this might sound like the story of a band past their prime. That’s not necessarily true, as none of their albums in this period were bad per se, but the reception from the fans was more mixed. Every new album would get compared to heights of previous releases.

All of that changed in 2017; things took a turn. With the release of The Sin And The Sentence everything seemed to align and bring the band to new heights. They found a new drummer that elevated their sound in Alex Bent, they found a new sound that elevated their recent trajectory, and Matt’s Twitch streaming career took off, growing the band’s audience in new ways. Of course, with every major milestone album in a band’s career, one question lingers: What happens next?

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The Anatomy Of – Sojourner

Atmospheric black metal has been doing a lot of things in the last five years or so. Beyond “just” an explosion in release numbers, atmospheric black metal also seems to be undergoing another (re)negotiation of what constitutes its basic parts, with the genre splitting off into further sub-genres. You have…

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195 – What The Dead Meme Say

Heavy Pod Is Heavy Cast! This week we talk about Trivium, Aeternam, Azure Emote, Umbra Vitae, Haken, Allegaeon, The Raven Autarchy, Ron Jarzombek and Jacob Collier. Then, cool people time with Ozark, Invisible Man and Revenant Gun by Yoon Ha Lee. Enjoy!

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