Sometimes I listen to albums and mini-movies play in my head. Narratives that to me encapsulate the sound, the feeling, of the music I am listening to. Spectral Voice has been doing this to me for years, with demo after demo of evocative, strangling death-doom that conjures images and stories that transcend the boundaries of my typically limited imagination. Their debut full-length album, Eroded Corridors of Unbeing, is no exception. In fact, it is the apex of everything the band have thus far released. It is cavernous, ethereal, terrifying, expertly performed, compositionally sound, and an utter masterpiece of death-doom glory. This is music that soundtracks nightmares of spiteful aliens, burning space stations, decaying planets, and the coming of the end of all things. It is music constructed for the dark. Prepare yourself accordingly.
If the story of 1980 to 1984 was how NWOBHM (and more specifically, Iron Maiden) awoke metal from its dormancy to tear the boundaries of popular music, then 1985 – 1987 is about the coronation of thrash metal atop the metal throne, and the subsequent underground rumblings of a closely linked cousin, a blood brother faster, more brutal, and more astonishing — death metal.
Welcome to Death’s Door! Wipe your feet on the mat. Don’t want any oil getting on the floor. Yes, you heard me correctly. Oil. OIL. Everywhere. I remember a time when Hell was just covered in blood, now we’ve got these god-forsaken machines running around everywhere. Oh, but they don’t have SOULS they said. Tell that to my hellhound. All dogs do indeed go somewhere, and it isn’t always to the pearly gates. Anyhoo, technical death metal is king of the castle in 2017, and there isn’t much we can do about it. Sentient robots, alien lifeforms, and all that jazz. What a year it’s been, and frankly the amount of amazing music still to be heard troubles me. I don’t have time for this. I have shit to do. But here we are, discussing another ferocious month of death metal insanity. Grab a bone chair and make yourself a Bloody Mary (she won’t mind), there’s some good stuff to cover.
Welcome to Heavy Blog is Heavy’s feature, “The Anatomy Of.” Taken from the Between The Buried And Me album of the same name, in which the band pays tribute to artists/bands that they feel have most inspired their songwriting, “The Anatomy Of” allows us to hand off the metaphorical microphone to bands…
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what’s been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the week’s releases to only our highest recommendations. Here you’ll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!