Metal is a fairly incestuous genre of music, particularly within its more extreme margins. Band members jump from one project to the other with relative ease, and change styles seemingly at the drop of a hat. Super-groups pop up and dissipate regularly, new band members come and go between releases,…
Welcome back to Part 2 of our retrospective on one of black and extreme metal’s paradoxically most popular and overlooked acts: Cradle of Filth. This part covers everything from 2004’s Nymphetamine to the present day and tries to pin down exactly why their reputation has suffered during this period, even though they’ve still been putting out some fairly decent albums. Refresh yourself with Part 1, and follow through to the end for a quick wrap up and some speculation on what the future holds for the band nearly a half-century into their sordid career.
Being the death metal fanatic that I am, sometimes it’s good to take a step outside the now standardized brootal circle of releases I gobble up with glee and appreciate the varied, sometimes less thoroughly bludgeoning aspects of metal. When I find myself in this state of mind, I tend to revert to one of my surefire staples to give me a boost: metalcore. It seems like every time I write one of these I am singing the praises of some band or another in this most maligned of subgenres. But hey, everyone could a little metalcore in their life (he said sheepishly), and today I’d like to honor this most hallowed tradition by spreading the virtues of Skies In Motion and their debut album Life Lessons. If you’re a fan of either metalcore or melodic hardcore, put this band on your radar. There’s plenty to enjoy here.
Enter: Howling Giant. They have returned with their third release, Black Hole Space Wizard Part 2, and have turned out something quite awesome with their collection of blueprints. The band here are in fine form melding together some of the best elements of bands such as Coheed and Cambria, Elder, and Mastodon. The spacier prog rock of the first band collides with the low end progressive doom of the second before topping off the mix with a hint of the Atlanta stalwarts vocal style that swirls and builds to something quite satisfying. Hear this delightful concoction for yourself in our exclusive streaming premiere below.