Sometimes you have to take a step back to move forward. Counter intuitive, yes. But as I’ve progressed through life I’ve found this to be true. Perhaps related to a career, where one has to go back to the drawing board to re-learn concepts long forgotten from some slept-through college lecture. Or in one’s personal life, where sometimes rehashing old wounds is the only way to progress past them. Music often falls into this same trajectory. Sometimes the alteration of sound works against a band rather than for them. While I am an enormous proponent of progression and change in music, how a band decides to engage in new musical and thematic concepts matters. Some do it right (Artificial Brain, Ingurgitating Oblivion), while some do not (latter-day Metallica, Morbid Angel). Yes, the parenthetical suggestions used to prove my point here are infinitely debatable, but I would make the argument that not all of these bands’ forays into uncharted territory worked in their favor. So it’s nice to see a band keep to their progressive trajectory, but pull from their back catalog elements that make their sound more enjoyable. Inanimate Existence are one of those bands, and with Underneath a Melting Sky have further perfected their sound by staying adventurous while simultaneously plundering the most essential elements of their past records.
There’s no dearth of bands inspired by the likes of Motorhead or the Obsessed but many miss the mark when trying too hard to emulate their forebears rather than putting their own aggressive stomp on the tried and true sound. This particular blend of blues-y, groove-laden metal often stays too long in its own lane, rarely straying from the formula to stretch and add enough of a band’s individual identity, but when a band is able to take this style and bend it to *their* will is where we get something unique.
Firstly, by the time I actually came across this next entry into the Hall of Grind and decided to write about them, they released two more batches of hot shit, toxic grind. If this wasn’t a sign from the Holy Grindfather then I’m a two-tone ska fiend. Throat Breach are every single bit as unpleasant sounding as their moniker but in just over a year have consistently released music as and when they feel like it. Presents for everyone indeed. Over the course of sixteen releases this Midwest branch of the Terror Squad have found a sound worth killing for. In like, twelve months. How many releases did you put out the last twelve months?