Sometimes you put on a record and the music cascading into your head gives you a jolt straight up your spine. That opening salvo is everything you want, pushing all the right buttons and getting your blood pumping, your heart racing, and your mind zeroed in on nothing but the music. Pure, unadulterated sound that fills you with elation, an exuberance you can barely contain. I have been overcome by this sensation many times as a music listener. It’s that uncommon state of absolute and unashamed excitement for what comes next. Unfortunately, what actually comes next doesn’t always live up to that initial rush, either by sheer sugar rush effect or simply because the remaining tracks on the album aren’t up to the standards set by the opening track. What it comes down to is that many albums are good, but few are great. It is a truth that music lovers have to accept every time that damned opening track teases us into blind, all-encompassing hope that the rest of the album will live up to the soaring heights of those first few, precious moments. Cormorant’s new album Diaspora gave me this feeling I just described. But in those first few incredible moments, I couldn’t help wondering whether this reaction would persist. What resulted over the next hour was a thoroughly remarkable journey that I have relived and revisited many times since then. TL;DR: This album is profoundly good.
We’ve spoken a lot over the past few years about modern progressive metal; we seem to go back and forth between derision/exasperation with the genre and hope for the future, as many new musicians seem to be intent on dragging the more conservative and tired elements of the genre into the future. Luckily, I’m here today to talk about the latter; PSION deal in the kind of energetic and fresh progressive metal that’s sorely needed today and which blends well with the (re)surging interest in the genre. Their music is the kind of sleek, engaging progressive metal which channels influences from the past of the genre while doing plenty of interesting things with it to keep the listener interested.
We’re a wee country, Scotland. We like to think we’re world beaters at anything we try our hand at. Doesn’t matter whether it’s football, politics or metal, it’s not in our people’s nature to half ass anything. Last week we got to hear brand new music from one of the country’s more elusive acts and today, we give you the brand new, still warm to the touch it’s that hot off the press music video from Serenity Came Calling. Newbies should head over the jump for crushing yet silky tones a la Northlane and bruising metalcore a la Wage War. No half measures.
This week, Eden is gone! I swear this isn’t some Fast and Furious 8 situation where Eden and I hate each other and don’t appear on screen at the same time (see Vin Diesel and The Rock), but just real life getting in the way. But Tidal is still alive, so we must go on. This week we have Simon Handmaker, fellow Heavy Blog editor and meme master. We discuss some news/new music, like The Faceless facing troubles, Spotify needing to change their business model, and new music from: Myrkur, Contrarian, Wolves in the Throne Room, Celeste, Humanity’s Last Breath, Cytotoxin, Rings of Saturn, Ne Obliviscaris, Tera Melos, Converge, Akercocke and August Burns Red. Then we do some cool people stuff talking about The Room and The Disaster Artist, some movies by A24 productions including The Lobster, then Pyre and PLAYERUNKNOWN’S BATTLEGROUNDS. Enjoy!