One-man metal bands have traditionally been dominated by black metal acts. Superficially, this makes sense. Thematically, the hyper-isolated, frost-bitten anguish of black metal is probably best fostered in a singular, individualized setting. Further, the low-barrier recording requirements of tinny, high-treble bedroom black metal means more people can simply start projects on their own, no band-mates or professional sound set-up required. Of course, there are exceptions. But black metal’s icy grip on one-man metal has, at times, seemed so tight as to prevent other genres from getting in on the action. Thankfully, Talsur is here to bring doom metal into the one-man domain.
Djent had an explosive entrance into the world of heavy music, around the start of the decade. It was a truly exciting occurrence, with first-wave acts like Periphery, Animals As Leaders and Cloudkicker filtering the technically-driven progressive sound of acts like Meshuggah, Sikth, and those of the budding “Sumeriancore” movement, into something altogether more accessible, while still retaining much of their forebears’ technical and progressive edge. Yet, like most new sub-genres, djent quickly devolved into pastiche and gave way to over saturation—perhaps a little bit quicker than most. Djent, it seems, has had a propperly ballistic trajectory, and—in 2017—as its momentum trails off, it’s hard to get excited about this once-promising phenomenon.
There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a different style in each square. While we have occasionally covered non-metal topics in past blog posts, we decided that a dedicated column was warranted in order to more completely recommend all of the music that we have been listening to. Unmetal Monday is a weekly column which covers noteworthy tracks and albums from outside the metal universe, and we encourage you all to share your favorite non-metal picks from the week in the comments. This week, we’ll be highlighting a few albums and tracks that struck our fancy over the past few weeks. Head past the jump to dial down the distortion:
Bodhi is a one man project from Justin Seymour, who plays for blog favorites The Room Colored Charlatan. Bodhi has all the marks of nu-prog on its latest release, including sweet guitars, an emphasis on solos and the sort of dream-y timbre that’s come to be associated with the genre. However, it all has everything good about the artists mentioned in the opening lines of the post, namely musical sensibility, restraint and a sense of composition that enunciates the musical ideas contained therein. The project also manages to create interesting “spaces” for the guitar to live in, contextualizing the flair and expressiveness of its sound.