Last time we reviewed SikTh, we were full of questions regarding their return. The future was clouded with fog, given that bands are prone to announce returns only to flare into action briefly before disappearing again, unable to recapture the spark that once motivated them to remain active. Even if bands do return, it’s unlikely that they’ll release material fast, gathering strength and getting into the beat of things. However, it appears that SikTh are quite done messing around and the period between their dormancy and their return to the waking world is set to be very short. Hot off the heels of their “mini-album”, Opacities, the group gives us The Future in Whose Eyes? which, where Opacities was good yet “safe” or “natural”, challenges their sound and mixes it with a lot of new. Lo and behold, it works, and the first true release of their comeback should return SikTh into the forefront of the community, if it knows what’s good for it.
From the Stanford Encyclopedia of Philosophy: “”Understanding romantic aesthetics is not a simple undertaking for reasons that are internal to the nature of the subject. Distinguished scholars, such as Arthur Lovejoy, Northrop Frye and Isaiah Berlin, have remarked on the notorious challenges facing any attempt to define romanticism. Lovejoy, for…
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
We’ve covered a lot of ground with Heavy Vanguard, from improvisation to sound art, and nearly ever genre someone has ever played around with, but you might notice there isn’t a whole lot of diversity in terms of nationality. Most of the acts we’ve gone over have been American or European. There’s nothing wrong with this, of course—good art is simply good art, and we shouldn’t put so much emphasis on the person creating the music as opposed to the music itself—but music knows no borders or boundaries, and this counts exponentially so for the avant-garde. There are free jazz scenes all over the world, and radical music being created in every country. This is why we finally decided to cover one of the countries best known for their experimental music, Japan, with one of the country’s best experimental rock bands ever, Boredoms.
There are many genres out there who have a propensity for mediocrity. It’s not that the genre is bad. On the contrary, much of it is enjoyable. The issue is that not much goes beyond enjoyable, never quite scratching beneath the surface of the initial infatuation. Trip hop is one of those genres. Its essential qualities have their own, intrinsic allure: something about the rhythm schemes of hip hop merged with a chiller atmosphere just has its appeal. However, most of it has become routine, never doing anything interesting with the basic trip hop formula. Not Hugo Kant though who, reminding us of artists like Floex or even Devin Townsend’s Casualties of Cool in certain ways, blends guest vocalists, clever samples, a variety of instruments, and just an overall sense of cool into his trip hop. Get below for your first taste.