Black metal has arguably the most eclectic genre palette in the metal pantheon. Though simple at its core, the genre’s aesthetics have been applied to countless concepts and shaped to include a multitude of other genres and accompanying instrumentation. Yet, the guitar still remains the one constant element in nearly all iterations of the genre, whether as a lo-fi wall of distortion or thundering gallop over equally blistering blast beats. It’s a rare occurrence when a band decides to forgo this six string staple; the only example this reviewer is aware of is Botanist, who instead opt for hammered dulcimers and harmonium. But when a guitar-less black metal album does surface, fans of the genre typically take notice to see if the experiment pays off. As such, the union of piano and drums in unholy matrimony on Wreche’s self-titled debut makes for an intriguing experience that’s deserving of at least an exploratory listen.
Those who have their fingers on the pulse of technical death metal might recognize the name Dark Matter Secret. Their EP Xenoform, released in 2015, was a great piece of instrumental prowess. Featuring members of Irreversible Mechanism and Arkona, this group was set to make some waves in the future. Well, that…
RVRSAL’s first release, entitled Finding it and Losing it, is exactly the kind of blend of jazz influence with a host of other flavors that is guaranteed to grab our attention, and we are very pleased to be premiering it in its entirety here!
Brutal death metal has the rare benefit of being exactly what it sounds like. The differences one would expect between “regular death metal” and “brutal death metal” are manifold and, by and large, pretty predictable: guitars are more downtuned; riffs are chunkier and more visceral; vocals are far deeper and even less intelligible; the whole nine yards. As far as subgenres go, it doesn’t exactly shake up its progenitor’s foundations by a relatively large amount, choosing instead to just take everything that makes death metal an already pretty brutal genre and crank that bad boy up to 11. To the surprise of absolutely nobody, the ensuing auditory carnage is not for the faint of heart, but it is for anybody that feels like extreme metal just isn’t extreme enough yet. If you’ve ever felt that way—the grooves could be groovier, the riffs could be riffier, the blasts could be blastier, the gutturals could be gutturalier—then brutal death metal is the answer to all your prayers. So without further ado, let’s dive in to what our staff considers to the be the Best Of – Brutal Death Metal!
This was a week of diversions. Eden is back in his land, and I’ve seen Metallica live and am super amazed by them. Also, new music by Exist, Origin, Steven Wilson, and Rings of Saturn. Then we talk about some happenings. The shitshow surrounding The Faceless missing their New Zealand tour, Chester of Linkin Park telling fans to stab themselves in the face, and the sexual assault allegations leveled against PWR BTTM and the implications of that. Then Eden recommends some music – Brutus, Subetroth, and Arcadea featuring Brann Dailor of Mastodon. We then go into a cool people section discussing Get Out, Guardians of the Galaxy Vol 2, and Horizon: Zero Dawn. Then, just as we’re about to finish up, Eden mentions his Re:publica experience, and we go into an extended discussion about the ethical responsibilities of the tech industry to explain themselves. Enjoy!