The documented implosion of Scale the Summit would leave a bad taste in anyone’s mouth. With Travis LeVrier becoming a full-time member of Entheos, it left former members in J.C. Bryant and Mark Michell without a primary musical outlet. It only seemed right to bring the focus back around on…
2017 is shaping up to be a banner year in the recent history of death metal. Quality releases abound, and we thank our infernal overlords for their bountiful provision. April, however, was a very strange month for our beloved deathly noise. Though strange may not be the best word to use here. Let’s try, maybe, weird? Yeah, weird seems right. This month we got a lot of robots. Also ingurgitation (look it up), some extreme (fucking) death, and Vampires, too. Lots to digest. But regardless of the whack-a-doodle nature of this month’s death metal output, April has been one of the best months for the subgenre in recent memory. Two album of the year contenders surfaced to wage a war of the weird against our ears, and it was a sight to behold. Good, old fashioned traditional death metal saw its fair share of releases as well, so never fear if you find yourself outside of fandom of the brutal noodle. Regardless of your persuasion, death metal is in fine health in the year of our dark lord 2017, and that is worthy of celebration.
I’ve spoken a lot about the different flavors of post rock. The genre has much of hope, wonder, and color but it’s hard to deny that its base, post rock is melancholic. Even the more “positive” emotions (if such a neuro-typical spectrum is even worth repeating) displayed within the genre are tinged with longing and a forlorn sense of distance. Thus, every so often, it’s refreshing to hear a post rock band simply tap into that difficult and burdensome place of sadness and bring forth a type of post rock awash in the early influences of the genre. Which is exactly what onj. are all about. Head down below to hear “Alone”. Bring tissues.
Even a cursory glance of our biweekly “What Heavy Blog Is Really Listening To” posts will reveal that there is a great deal of variety among our staff’s musical tastes. Due to this, we brainstormed the idea of “Playlist Swap,” another biweekly segment that takes place between playlist updates. We randomly select two of the participants from each update, have them pick their favorite track from each of the nine albums in their grid and then send the list over to the other person to listen to and comment on. Within these commentaries occurs praise, criticism and discovery, and we hope that you experience a few instances of this last point as well. This week’s post has staff writer Matt MacLennan face off against senior editor Nick Cusworth.
We’ve been dragging our feet a bit in talking more about avant-garde metal; since we at Heavy Blog cover the likes of Gorguts and Dodecahedron quite a bit, Scott and I wanted to find something that wasn’t as well-known but still well-regarded. So, Scott found Pan.Thy.Monium—a side project of Dan Swanö (Edge of Sanity) that checks a lot of avant-garde ticks off with their final album Khaooohs and Kon-Fus-Ion.