In a mere five years, Nashville’s All Them Witches have the discography of a band well beyond their years – not in terms of output, but by means of musical growth over only four full-length records. “Maturity” is a term that gets thrown around too often when talking about a band’s development, but the four-piece’s latest effort, Sleeping Through the War, seems to warrant such description – especially when reflecting on the relative purity of the group’s first album. The band has come a long way in a short time and have crafted an enigmatic and unpredictable nature, with each release since defying expectations and satisfying with wonderment. That being said, Sleeping Through the War follows suit standing as yet another hallmark for the band, and arguably their most eclectic record to date.
One of the things that stands out immediately on Jared Grabb’s new album, Masters, is that it feels like someone playing in their living room (or yours). There’s an intimacy that a lot of singer-songwriters of this type don’t manage to pull off but here is Grabb repping Peoria, IL and the whole of the Midwestern heart and soul on his latest effort.
The artwork for the new Regurgitate Life record Obliteration of the Self may have drawn me in, but the music is what got me to pre-order. It’s bludgeoning death metal with the added bonus of being performed with the energy and exuberance of a hardcore punk record. Sometimes death metal records can feel so dull despite being technically impressive, but luckily Obliteration of the Self doesn’t fall into that trap. It helps that they incorporate elements of other genres, such as sludge and doom, to keep things from getting stale.
There’s a very specific genre of math rock that relies heavily on percussion and percussive instruments for its momentum. Three Trapped Tigers is perhaps the most famous example today, weaving this style together with electronica to create compelling and upbeat music. But what happens when we take that style and multiply it by four? Well, we get The Kraken Quartet, a band whose every member is a percussionist. The result is an upcoming album called Separate | Migrate, an enchanting ride through drums, xylophones, bells, synths and a host of other sounds. We’re proud to premiere the opening track from that album, “chance the dog (the song)” right below!