On previous albums, Black Anvil’s blackened thrash always seemed to fall into a state of limbo. Triumvirate hit the black-thrash-for-the-masses nail on the head, but for what little progressive tendencies they exhibited (to be honest, this is definitely more Metallica-level progressivism than it is Dream Theater), it lacked the dynamism to make it truly interesting. They might as well have gone the route of a band like Skeletonwitch and cut the fat entirely in favor of a more lean and mean approach. In comparison, Hail Death felt like an overcompensation. More Watain-like in terms of progressive arrangements, the experimentation was worthwhile, but the record was hampered by too many forgettable moments, leading to inflated songs that felt like they were long for the sake of being long. While both albums are still damn good in their own right, it felt like the band had yet to find the balance that would showcase them at their best. As Was mostly reconciles this imbalance, and also brings some interesting new elements into the fold.
Progress and change are divisive topics. How these words are defined, contextualized, and framed is dependent on a vast array of variables that metamorphose and evolve with each topic they are attached to. Social. Political. Economic. Artistic. Take your pick. It would be difficult to find two people who agree…
This is a special article for me, because Miles Davis essentially got me started on jazz. It was listening to albums like Kind of Blue and Herbie Hancock’s Headhunters that got me interested in what this genre of music had to offer, and my love of jazz only grew from there. For a while, I tried to get as much Miles and Herbie as I could, buying CDs on a whim. On one of these whims I found what was also considered one of Miles’s best releases, a little album called Sketches of Spain. And I can say without a doubt my life has been changed by this album in ways I could never quite expect.
It’s a new day with new music so jump out of the picket line for a minute or twenty. We’re lucky, blessed even to get to share with you, the Heaviest of readers, the brand new EP from UK metallers Belial. This is modern technical metal from the school of Josh Travis and Fellsilent and school is back in so you know, pay attention or you’re getting a whoopin’. Riffs, chills and morbid moments lie ahead. After the jump, as always.
Just about this time last year, Simon ran a piece about how Icelandic black metal was primed to be the next big movement in the genre. Though I had been familiar – and highly impressed – with albums from Misþyrming and Naðra, I was genuinely surprised to see how many other quality black metal bands hailed from the small, not-so-icy island. And thankfully for BM fans, Simon was right about this being a growing trend, as 2017 has already plopped Draugsól’s Volaða Land onto my running top releases list for the year. The album title’s apt translation to “poor country” points to the desolate atmosphere that permeates throughout the record.