Clipping. – Splendor & Misery

Experimental rap group clipping. always seem to be pushing the envelope when they release an album. With their debut midcity they used abrasive white noise to back gritty raps, pulling bangers from the static. With their sophomore album CLPPNG they added a diverse palette of sounds and samples (At one point they use an alarm clock beeping for a beat) while still staying gritty/heavy hitting and took what made them great to new levels with catchy tracks, technically impressive rapping and engrossing stories. Now on their third full-length Splendor & Misery, they’re taking aim at a sci-fi concept record which depicts the struggles of a slave who is the lone survivor of an uprising on a slave transport ship in the cold, unforgiving reaches of space. If anyone is capable of properly executing something like this, it’s clipping..

Good Vibrations — A Day To Remember Are More Metal Than Your Band

2009 was a landmark year for me when it came to music. Releases from Every Time I Die and The Black Dahlia Murder were the soundtrack to my first experience of living on my own and, slotted somewhere between the two, Homesick by A Day To Remember became a “guilty pleasure”. The dyed in the wool metal head in me was conflicted. Torn even. I knew that the pop driven choruses and “she left me, boo hoo” lyrics were something I should have already got past but the songs were just too catchy to ignore. What business did a pop punk band have dropping savage, infectious breakdowns all over their material? Why do I still listen to this band, unironically? Because A Day To Remember are metal as fuck and I’ll fight you after class on the football field if you disagree.