Black metal has the unique trait of being a simultaneously phenomenal and abysmal genre. With an innately prolific trait and a relatively simple, consistent formulaic structure, the genre has spawned countless innovators as well as countless more bedroom warriors churning out one “Name Your Price” Bandcamp dud after another. Unfortunately,…
Here we are with another A Gift to Artwork post and the final piece of our four-part journey into Mastodon’s brilliant fourth album Crack the Skye.
Welcome to our third and final part of our notes on Mastodon’s Crack the Skye. For any who have just joined us, or if you’re looking for a refresher, don’t hesitate to check out part I and part II from last week. We ended part II having just looked at “The Czar”, and that near 11-minute epic is followed by the magnificent “The Ghost of Karelia.”
I’ll say it: it’s tough to find good industrial metal nowadays. However, there are albums that still kick some major ass in the industrial gamut. Sterilizer is yet another one man industrial project headed by musician/artist Brandon Duncan. Unlike a lot of other one-person groups, however, Sterilizer manages to capture both the visual and audible sound we expect when we hear the term industrial metal, almost perfectly straddling the fence between electronic and metal music.