When it comes to experiencing new music, two things are certain: you can never judge a book by its cover, nor should you ever trust what the artists themselves say about their music until you’ve heard it for yourself. Underling — a Bay Area supergroup featuring members of Fallujah, Arkaik, and Battlecross — are proof enough of both of these rules, as their debut album Bloodworship looks like and is marketed as an atmospheric black metal record. Coming from a group of established death metal musicians, this should be somewhat of a departure on paper at the very least. However, when considering the record’s scope as a whole, Bloodworship is a far cry from the distant reverberations of Wolves in the Throne Room. It’s actually much more than that.
Ah, NAMM. It’s one of the biggest trade shows in existence, a veritable mecca for music and gear nerds. We at Heavy Blog would, of course, love nothing more than to send a few of our staffers out there to cover the event and bring back exciting news and interviews from the whole thing. Sadly, none of us lives remotely close to southern CA, and we don’t exactly have the money in the Heavy Blog bank to cover airfare and lodging for people. So we had pretty much resigned ourselves to completely missing out on the event when the beautiful lads over in Seattle’s A Sense of Gravity came to us with a proposition. Watch them carry the mantle for us as they catch up with esteemed bands and artists including Arkaik, Angel Vivaldi, Alaya, Painted In Exile, Nekrogoblikon, Xanthocroid, Aliases, Ola Englund, Per Nilsson, and others to find out what they’ve been up to and to ask the important questions like how they prefer their eggs.
This song might not win over everyone, but if you’re a fan of heavy metal from the 70s, you will definitely be a fan of this stuff. The song is just fun in every way, and while it may not be the heaviest thing you ever hear, it’s proof that metal has such strong roots that even 40 years later they can still rock like they did back in the 70s.
A split EP brought to us by The Ocean and Mono, Transcendental took Heavy Blog’s EP of the year award for 2015. Despite being an EP featuring artists of differing styles and only two tracks, the record has a runtime of almost 25 minutes and a consistent concept throughout so, without further ado, let’s dig deep into what makes Transcendental so damn good.
I can already see the comments flowing: “Modern Mathcore? The fuck is that?” Yes, in a sense, modern mathcore is not a genre, but rather describes a specific time in the history of mathcore, much like the new waves of British and American Heavy Metal (1970-80’s and 2000’s-present, respectively). It’s…