10. Periphery – Juggernaut

10 Periphery Juggernaut

Periphery revealed that Juggernaut was originally projected to be the band’s first album, but that the timing never seemed right. Now with it almost a year under our collective belts, this album definitely feels as though it truly took almost a decade to piece together. With a run time as long as some feature-length films, the seventeen tracks of Alpha and Omega go through every possible nuance and style that Periphery has ever touched on before, and certainly takes plenty of time in tracks like “The Scourge,” “Priestess” and “Hell Below” to touch on new sonic ideas never previously done before by the band. This double album is simply massive in scope and really feels like it took equal contributions from all six members to piece this leviathan all together. There’s still a crushing groove and pulse throughout, Spencer Sotelo’s most charismatic and professional-sounding vocal performance ever, as well as one of the finest mixing jobs you’ll hear in heavy music this year. Periphery has never sounded more abrasive or as poppy at the same time; an intriguing position in music if there ever was one. It would be a huge disservice to only call this a djent album; Periphery is well on their way to becoming one of the most exciting faces in progressive metal today.

-Kit Brown

9. Kendrick Lamar – To Pimp a Butterfly

09 Kendrick Lamar TPAB

When an artist has the spotlight following them relentlessly, the last thing you would expect them to do is take a risk. Kendrick Lamar isn’t just any old artist, though. After making good kid, m.A.A.d city, Kendrick could have continued on his path to becoming one of the most popular and far reaching emcees the game has seen in quite some time, but instead the Compton rapper decided to risk that popularity by taking control of his spotlight in order to use its steady, focused beam to help the black community gain visibility, guiding it through the issues that they face day to day. He set it all to funk and jazz infused hip-hop instrumentals and titled it To Pimp a Butterfly, effectively creating one of the most important records of the year. Not only is it important, but it has enough widespread appeal to end up in the top ten of a heavy metal website, so clearly his risk has paid off in spades. Whether you’re listening to the funky and confident “King Kunta,” the psychedelic and jazz-laden “For Sale? (Interlude)” or the hard hitting and critically self-reflective “The Blacker the Berry,” you’re getting music that is not only enjoyable on a surface level, but thought provoking and poignant enough to be picked apart and analyzed in order to find even more value in an already deep treasure chest of a record. Whether To Pimp a Butterfly stands the test of time can only be seen as the years pass, but in this particular year, it’s an album that is an essential part of the musical and cultural landscape.

-Ryan Castrati

8. We Lost the Sea – Departure Songs

08 We Lost the Sea Departure Songs

Concept albums are extremely difficult to do. One can argue that making a record with an overarching theme, whether it be musically or lyrically, is a feat that can not be accurately described. There are some bands that have found success with it and know how to do so with pure ease, and there are others who can try but fail. Then a band comes along that has a concept so profound that it does not require certain words or sections of music to tie it together. Instead, the theme is achieved by the overall experience, and with each story the song exemplifies. We Lost The Sea came back from the tragic suicide of their lead singer to create an absolute monster, but in the most rewarding way. The entire album, comprised of five songs, is a journey beyond the realm of comprehension into the realm of tragedy. It shows itself in the many different stories that set the tone for each song. Each song is a personal journey for the listener, while the entire album serves as catharsis for the band, who have courageously carried on when all hope was lost. The band have used their experiences, their sorrow, and all of the pain they endured to craft a work that is only described as a universal eulogy. While the band may change, this album will always remain as one of the most compelling and emotional pieces of music there has ever been.

[bandcamp width=100% height=120 album=3408776844 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

-Spencer Snitil

7. Alkaloid – The Malkuth Grimoire

07 Alkaloid-The-Malkuth-Grimoire

When Christian Muenzner and Hannes Grossman left Obscura and created prog death supergroup Alkaloid with musicians like Linus Klausenitzer (Obscura, Noneuclid), Morean (Dark Fortress, Noneuclid) and Danny Tunker (ex-Aborted), expectations were very high. Somehow, the band managed to outdo all of the expectations and deliver something unexpected and truly special. Combining the tech death leanings of the members with a grand sci-fi concept and avant-garde elements, Alkaloid have managed to differentiate themselves while also breaking new ground for the genre. Opening with a 9-minute-long song and continuing with another one, the album already makes a bold statement: they’re focusing on the progressive aspect of writing, and it’s a huge success. Both the individual epics (they truly deserve to be called that) and the multi-part “Dyson Sphere” suite flow as smoothly as possible for a song, and they throw in unique, experimental elements with such finesse that one might miss them. And that’s the crux here: A creative and extremely well-conceived album with so many layers to unpack and so many reasons to return to.

[bandcamp width=100% height=120 album=539085217 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

-Noyan Tokgozoglu

6. Agent Fresco – Destrier

06 Agent Fresco Destrier

After the relatively noiseless response that Iceland natives Agent Fresco’s sophomore full length Destrier earned this year, I mentally filed the album away as a sleeper hit that no one would notice. Imagine my surprise that not only did Destrier make the cut for Heavy Blog’s Top 50 Albums of 2015, our staff voted it up into the top 10 where it rightfully belongs. I do not say this lightly: Destrier is everything modern prog needs to be; passionate, intellectually engaging, and ambitiously experimental. Chances are, you’ve never even heard of Agent Fresco, so allow me to set the scene: Floaty Nordic prog with neo-classical influence that runs the gamut from math rock to ambient drone and everything in between that allows for this year’s most ridiculous breakdown – via title track “Destrier” – and most satisfying musical reprise (sorry BTBAM, it was close!). Make no mistake, Destrier is a modern prog masterpiece, and allow this to put you on notice.

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-Jimmy Rowe


05 Wrvth

From the melancholic opening chords of the first song, “Harrowing Winds,” lush and reverberating with a life all their own, to the drawn-out, slowly-dying outro of “Cease to Exist,” the record’s closer, WRVTH elicits an incredible varieties of emotion from all across the spectrum, from a lethargic, aching depression, to passionate, fiery hope, to caustic anger. Just short of an hour of beautiful, energetic, forever-moving music, WRVTH is a sonic trip through the mind of a quintet of artists performing at their very best; every member of the band feels fully committed to giving 110% of their energy and capabilities to each of the 11 tracks on this epic, and they consistently deliver.

The true power of WRVTH’s self-titled release is their incredible ability to paint with a vast sonic palette, conjuring to mind artists like Loma Prieta and Deafheaven alongside their bay-area contemporaries like Fallujah and The Faceless. Far from feeling excessive, every piece of WRVTH, from the techdeath bits, to the atmospheric and skramzy-feeling black metal, to the jazzy basslines and light sprinklings of sax performance, come together to make something that’s truly more than the sum of its parts. They say the third time is the charm, and that’s certainly true here: the third full-length from this band (previously under the moniker Wrath of Vesuvius) has set an entirely new precedent for just what techdeath can be.

-Simon Handmaker

4. Good Tiger – A Head Full of Moonlight

04 Good-Tiger-A-Head-Full-Of-Moonlight

Djent is dead, that has already been established. But that sub-genre has a lot of talented people in it and its echoes can still create some great pieces of art. While Good Tiger is by no means djent, it certainly draws on a common pool of talent that emerged from that scene. Like their original works however, these musicians don’t stay shackled to any definitions for long: Good Tiger defies definition, a lot like The Safety Fire from which, somewhat, it emerged.

It’s an overall energetic album, eschewing long, drawn out passages of contemplation for quick, thick and well-performed brush strokes. It paints with bright color and we’re grateful for that: it’s a refreshing change of pace in what can often be a monotonous and monochrome culture. As always, Coleman’s vocals deserve special attention here: they add a quirkiness and conviction to the whole thing, not so much crowning it as gracing all its parts with a little something extra. At the end of the day, it’s an album with so much variation and exploration that nearly any fans of sleek, modern metal will find something to enjoy here.

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-Eden Kupermintz

3. Native Construct – Quiet World

03 Native Construct Quiet World

Talk about misleading titles. Quiet World is anything but quiet – its seven tracks are vividly colourful, exuberant, and lush, and (unlike its silent protagonist-turned-antagonist) its gorgeous songwriting speaks volumes. An instant prog metal classic, Native Construct’s debut is in a league of its own in nearly every facet imaginable, from the constantly brilliant arrangements to vocalist Robert Edens’ incredible versatility in getting the album’s subtly dark story across.

The diverse instrumentation – featuring everything from violins to saxophone to monstrous eight string guitars – is used to maximal effect in developing motifs and themes across the course of the album, and there are surprises to be found at every turn, right up to the magnificent twelve minute closer that is “Chromatic Aberration.” But the eclectic nature of the album never feels overdone or out of place at any point, and despite the gorgeous arrangements to be found all over the place, the songs also get very, very delightfully sinister when they need to. A piece of music filled to the brim with brilliance, innovation, and a clear love of music itself, Quiet World is an absolute work of art, and a towering accomplishment on Native Construct’s part.

[bandcamp width=100% height=120 album=2116173056 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

-Ahmed Hasan

2. Leprous – The Congregation

02 leprous-thecongregation

Looking back now, it’s bittersweet that Norway’s Leprous has decided to step out of the shadows as Ihsahn’s backing band. Surely, the time spent under the wings of a black metal legend has bolstered the group’s subtle hints at darkness as a full-fledged blackened influence that, from time-to-time, decides to rear its ugly head. However, Leprous have always been much more than that, first and foremost a progressive rock group.

Their 2015 effort The Congregation is more than it seems on initial listens. Just under the album’s mostly still surface sits a monster waiting to burst, or perhaps waiting in recovery. This bleak album is restraint in practice, and the standalone tracks do contribute to an overall dynamic that may not be immediately obvious through a build and release of emotional tension. Outside of this living, breathing atmosphere is a sense of musicianship that relies on triumphant if not anthemic melodies and technical knowledge of rhythm and time used tastefully. Most importantly, The Congregation is catchy and unafraid of emotional vulnerability.

Over the years, they’ve slipped away from the avant garde and black metal sounds they’ve toyed with in the past, but it has allowed the band to craft some of their finest music to date on their own terms, comparable to perhaps Queen or Faith No More in their ouvre. Whether or not The Congregation itself is the group’s best record is up to debate, but it’s without a doubt one of the most important records of 2015.

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-Jimmy Rowe

1. Intronaut – The Direction of Last Things

01 Intronaut-The-Direction-Of-Last-Things

It’s a common adage of ours that no album is perfect; even those we give a perfect score to don’t deserve that title. Perfect scores hint towards contextual perfection, perfection achieved within the context of what music is. Surely, an album that graces our number one spot in such an amazing year deserves that honor and The Direction of Last Things absolutely does. In it, Intronaut dig deep into their progressive roots, summoning forth various approaches to their core pop/stoner/rock sound. This enables them to create music that is both instantly recognizable as theirs and yet, innovative and interesting.

Together with a pristine mix by none else than Devin Townsend, The Direction of Last Things supplies everything we can want from a modern, progressive metal album. From fast paced opener “Fast Worms,” through the ominous and spacious “Sul Ponticello” and closer “City Hymnal,” the album is furiously dedicated to keeping us second-guessing on our toes, while sounding pristine and modern. It most gracefully avoids the common pitfall of such efforts: innovation for its own sake. Instead, it knows when to stick to the common path and when to depart, merging technical composition, pure aggression and heartfelt emotion into a salient, delicious elixir. For that, it is the Album of the Year of 2015, a position well-earned.

-Eden Kupermintz

65 Responses

  1. BarakalypseNow

    This is the article I wait all year for. And YOOOOO!! I really love the selections of albums that I have been rocking (especially #1!), but it’s clear that there are so many great ones I haven’t heard! The mountain of good music that metalheads have to bear is unbelievable, but in the end totally worth it. I think I’m only doing a top 10 this year, just because I didn’t do as much listening as prior years.

    10. Voices – London
    9. Thy Art Is Murder – Holy War
    8. Cattle Decapitation – The Anthropocene Extinction
    7. Rivers of Nihil – Monarchy
    6. Tempel – The Moon Lit Our Path
    5. Elder – Lore
    4. Native Construct – Quiet World
    3. Deafheaven – New Bermuda
    2. Intronaut – The Direction of Last Things
    1. Dreadnought – Bridging Realms

    EDIT: Changed #10 to Voices…forgot how much I liked that album at the start of the year.

  2. BlackTaxi2d

    nice, interesting to see a few albums here that are tops on many people’s charts chilling between 40 and 50

    • Karlo Doroc

      i know right, just goes to show how good of a year 2015 was. there were even some records which individuals had in their top 10, which didn’t make our aggregate top 50! look out for our outliers post later in the week, which will cover some of the best albums which sadly didn’t make it onto this list

      • brutal_sushi

        Its fighting for my number one spot. Its slowly becoming the album I listen to the most. The backstory about what the album is about and all the research and everything Anton put into is fascinating, and haunting at the same time.

      • Karlo Doroc

        haunting indeed, the atmosphere they created is simply incredible. i did some basic research into the concept and it sounded amazing, i’ll need to dig deeper into exactly what happened

  3. Washington Skidrow

    It’s so cool to see stuff like The Epic and To Pimp a Butterfly sitting on a mostly metal list. Always appreciate how open minded you guys are about music.

  4. Eden

    Hey guys,

    Thanks for your comments. Just so you know, large portions of the site are down right now. So, if this post disappears, please know that that’s why. We’ll probably re-post it tomorrow, to get it rolling properly.

    Thanks for commenting and for understanding! We really appreciate it.

  5. Scarymother

    There’s only one album that I really felt should be there that wasn’t and that’s Chaos Divine’s Colliding Skies.

    Aside from that, good list.

    Also – thanks for the year. I’ve picked up a pile of CDs directly as a result of reading about them on this site and heard a bunch of bands I doubt I would have come across otherwise. Keep up the good work.

    • Josh

      Chaos Divine, VOLA, and (I haven’t seen it on here yet) EIDOLA belongs right up near the top of this damn list.

      • Scarymother

        It appears VOLA missed out (I was also very pleased with Inmazes). I was glad to see Degenetaterra at about #17 – that album is excellent (my #2 for the year).

      • Eden

        Eidola is an interesting album. It’s definitely great but there’s just so much going on. I feel like the scattering in the overall structure of it (I’ve only listened to it from start to finish several times, although I spin solitary tracks all the time for example) prevents it from being a true list topper.

        If they build on this base with the next release and get something a bit more solidified out there, they can make a true masterpiece.

      • Scarymother

        I love the album, but had no issues with where it was in the list. As the previous guy said, I was happy to see it on the list.

      • el chalupacabra

        Eidola was my #1 of the year, but I have to agree with what Eden said. Given how disorganized it can be at times, and how much of a monolithic listen it is, I’m just happy it’s on here at all.

    • Eden

      I agree with VOLA, see my comment above. Chaos Divine is a good album but it didn’t really bear repeated listens for me. It slowly lost its charm and its edge for me. While it’s a solid album, it’s not…”timeless” enough to make this list, imo.

      Thanks for reading!

      • Scarymother

        Well, it’s all a matter of taste – and that’s both the beauty of music and the trouble with discussing “best of” lists. It’s all subjective – what we’re looking for, what we like etc.

        Clearly plenty of people agree with you on the CD album because I haven’t seen it on too many Top 10 lists, whereas for me, it’s an CD I keep coming back to and the one I’ve probably listened to more than any other this year.

        Anyway, I feel like you blokes are judging these things from the right angle, so I can’t argue with the list.

        By the bye, I picked up the Intronaut disc after giving it a listen due to it appearing at #1.

    • Karlo Doroc

      great to see some love for Chaos Divine! i had it in my top 40 or so if i remember correctly, and it certainly wouldn’t be undeserving a spot on this list. i do see what eden is saying though in that this was just such an amazing year for music, and in my opinion it doesn’t hold up as well on repeat listens compared with some of the other albums. still, nobody can deny that it’s a great record :)

  6. KingdomOfApple

    Solid list, and I know it’s all opinion and whatnot, but where to everloving HECK is VOLA’s Inmazes? I’m actually surprised that, not only did it not make it on the least, but that it wasn’t number one, or in the top ten at the very least. Anyway, still a great list, and I’m sure it’ll be mentioned in one of the other top albums list.

    • Nayon

      Since this is an aggregate list, it means that if some people who write for us didn’t like it as much as others then it didn’t have a huge chance. My AOTY is sitting at 49!

      • KingdomOfApple

        I completely understand that, it was just really surprising to not see it there, haha. That album’s been making waves through the prog metal scene from what I’ve seen. Certainly not as much as others, but it’s still there.

    • Eden

      I know! It’s such a great album and I voted for it really high on my own lists, but it just didn’t make it. Oh well, it still fucking rips.

      Thanks for reading!

      • KingdomOfApple

        No worries! Thanks for sharing so much great music! No Top x albums list is going to be agreed by everyone!

  7. Óśćáŕ

    Probably, you don’t agree with me, but i see Intronaut a a slower-paced Son of Aurelius, with a clearly different style.

  8. algekevin

    Really upset to not see Vehemence’s new album up there, that album is amazing. :( Overall great list though, found a lot of new stuff on here! I also second Kauan – Sorni Nai, but definitely see it not being something for most people though the story behind it is great too!

    • Karlo Doroc

      Sorni Nai really came out of nowehere for me, there was a period where I couldn’t listen to anything else – it may have even cracked my personal top 20 if i remember correctly

  9. guitar_shredda*

    Don’t want to sound funny but I REALLY enjoyed Northlane’s album from this year, some catchy progressive Metalcore, thought it was way better than what August Burns Red put out. Also think Rosetta and Maserati could have easily made the list

    • Eclecticore

      Maserati totally made my list, which isn’t surprising given that I reviewed it and loved it. That was probably gonna be an uphill battle with this group though haha. Just happy to see a lot of the other post-rock I loved made it on here.


  10. rafa

    Am I the only one that thought Good Yiger just sounded like a variant of old Closure in Moscow? I didn’t feel like they were covering any new territory at all

    • Eclecticore

      It being released so late probably didn’t help, but I also don’t think it caught on a ton with the staff as a whole beyond a couple of people who are really into him. It’s been near the top of so many other lists though that I was surprised to see that it didn’t crack ours.


  11. MelbCro

    1. Swallow the Sun – Songs of the North I,II & III
    2. Shape of Despair – Monotony Fields
    3. Arcane – Known/Learned
    4. Earthside – A Dream in Static
    5. Between the Buried and Me – Coma Ecliptic
    6. Steven Wilson – Hand. Cannot. Erase.
    7. Leprous – The Congregation
    8. Native Construct – Quiet World
    9. Agent Fresco – Destrier
    10. Riverside – Love, Fear And The Time Machine
    11. My Dying Bride – Feel the Misery
    12. Enslaved – In Times
    13. Transience – Temple
    14. Ahab – The Boats Of The Glen Carrig
    15. Caligula’s Horse – Bloom
    16. The Slow Death – Ark
    17. Skepticism – Ordeal
    18. Monolithe – Epsilon Aurigae
    19. Alkaloid – The Malkuth Grimoire
    20. Bell Witch – Four Phantoms

  12. Midgetwithalimp

    Awesome list, but I’m sad to see that the new Black Breath record is missing, saw them twice live this year and the material they played from Slaves Beyond Death was insane

  13. Gwynblade

    Oh wow, this is probably the nicest comments section I have seen in years especially when it comes to lists like this.

  14. HugoBoss_Enema

    Alkaloid is my #1. Thanks for making this list, found a couple really cool band thanks to it.
    Gracias. Happy Holidays
    I would’ve added Jesse Cook, Purity Ring, Sumac, and Chelsea Wolfe.

  15. lrn2swim

    The 2 best albums of the year IMO didn’t even make your top 50!

    1a. Dødheimsgard – A Umbra Omega
    1b. Beardfish – +4626-COMFORTZONE (one of the greatest 70’s prog rock albums ever happened to be made in 2015)

    Love your guys’ list though, so much awesome tunage!!

  16. 1 Screaming Dizbuster

    A couple of my favorite releases from 2015 which totally flew under the Metal Press radar were False Lights by Finland’s Pressure Points, a progressive/death metal masterpiece. Their long awaited release after 2010’s promising debut Remorses to Remember. The contrast of death and clean passages may not be original but the level of songwriting, musicianship, and production truly stand out. They have a unique sound and it is glorious.

    The other is the newest release from the reformed Transport League – Napalm Bats and Suicide Dogs. Tony Jelencovich sings/screams/howls his ass off and his backing band lays down some serious grooves. Take Clutch and turn it up a few notches and that’s where this band resides.

    • karlo

      i can’t help but get excited whenever i hear the words progressive, death, metal and masterpiece all in the same sentence. I’ll have to check it out!


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