Love Letter – Playing Prog Rock Fucking Loud

You know the part: the drums, thick and resonating, pick up pace, the bass licks in anticipation of the crescendo and all of a sudden the synths are there, Hammond goodness washing over the soaring guitar parts as the vocals explode into a high note. This structure of “ensemble buildup”, where the entire band join forces to form the climax of a track, is a staple of many genres but progressive rock has always been the best at it. King Crimson’s “Starless”, Yes’s “Heart of the Sunrise”, Wishbone Ash’s “Warrior” (containing one of the world’s most famous and most forgotten solos), Pink Floyd’s Dark Side of the Moon and many, many other tracks and albums come to mind. Even younger bands operating today and paying homage to the style (like Malady, Wobbler, Witchcraft and more) adopt the prominence of the climax and full band collaboration.

Hey! Listen to Malady!

Who has the arrogance to accurately trace the proliferation of genres? Who has the hubris needed to claim that they have accurately described the narrative surrounding even one style of music? Apparently, a lot of people as music journalism is obsessed with “understanding” (read, limiting) genres and telling us their…

The Knells – The Knells II

“Someone, I tell you, will remember us, even in another time.” -Sappho Golden ages have a lasting impact on the community which goes through them. Germany is still enjoying the benefits of the The Miracle on the Rhine, science fiction is still heavily influenced and obsessed with The New Wave of Science Fiction,…

Dan Terminus – Automated Refrains

I’d like to think that, as someone who listens to a lot of synth based music, I’ve seen and heard it all by now. However, and perhaps to my own detriment, up until now I have yet to experience anything quite like the sights or sounds of Dan Terminus. A bold claim, for sure, but an even bolder one is to hone in specifically on what I mean when I say that his latest album is in fact an “all around experience.” Before even delving into the music I want to take a long hard look at the album art. It is true, as they say, that one should never judge a book by it’s cover but regardless something must be said for such masterfully done art which entices one in with such intrigue; I felt not unlike that of a curious futuristic tourist looking at a brochure for an exotic alien world.

What Heavy Blog Is Really Listening To – 9/1/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with through your account, or create it manually with Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

The Year of the Beast: How Iron Maiden Heralded the Metal Explosion

The story of metal is not linear. We didn’t arrive at the mayhem lurking in our Spotify playlists through a measured progression of technique, style, and genre. Rather, the evolution came in leaps and bounds, with dead ends and bursts of growth and pockets of innovation. To continue the evolutionary metaphor: the Cambrian Explosion of metal shot off in the mid 1980’s, as subgenres and geniuses and success combined into a specimen closely resembling much of modern metal. But the growth, although frantic, wasn’t instantaneous; rather, it seemed to expand exponentially from a single source, a catalyst in a chain reaction. That incipient band, the patient zero of metal as we know it today, is Iron Maiden. More precisely, the stratospheric success of The Number of the Beast, with it’s intricate compositions, transgressive lyrics, and trailblazing progressivity, diverged metal from hard rock completely and legitimized metal as a commercial viability, heralding the eruption of metal in the years to follow.