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I’m not going to go on about how great 2012 was for music, because everyone of my co-writers has already done that and then some. There’s no denying it was great, so let’s just move on. I’m writing this list pretty last minute, as I’ve had my choices locked in for some time, and I thought, “Hey, I’m not confused about anything, so I can push it back as far as possible”, and that was a terrible idea, as I’m now scrambling to get this thing finished, and having a hard time really talking about why I like these albums. However, I was the one who reviewed a lot of these, so if you find what I have to say on each individual one lacking, just go read  my review or the reviews of the other albums written by my fellow contributors.

Honestly though, I did not love 2012 as much as everyone else. Maybe it was the events in my personal life that caused me to have such a poor outlook on a lot of the earlier releases of the year, but it’s hard to deny the fact that I just did not connect with nearly as many metal releases this year as I did last year. It’s a shame, but not something I’ve overly thought about, because I’ve found other music to enjoy throughout the year. That being said, I did happen to find a good handful of great albums that I anticipate listening to for many years. Like I said, I’ve had my choices for my list picked out for some time, and that’s because I knew which albums I loved, and which albums I wanted to continually listen to for many years to come. I wasn’t wowed by a lot of the big name bands; I found Meshuggah and Gojira lacking a bit, which were two of my my anticipated albums of this year, but that’s okay. Sometimes you just can’t connect with certain albums. And even  though metal wasn’t all that great for me this year, I still love the genre, and it’s still my favorite type of music to listen to. Anyways, that’s why I listen to metal, and that’s really all I have to say on the matter, so here’s my top ten albums of the year.

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Woods of Ypres

Woods 5: Grey Skies & Electric Light

01. Lightning & Snow
02. Death Is Not An Exit
03. Keeper Of The Ledger
04. Traveling Alone
05. Adora Vivos
06. Silver
07. Career Suicide (Is Not Real Suicide)
08. Modern Life Architecture
09. Kiss My Ashes (Goodbye)
10. Finality
11. Alternate Ending

[04/24/12]
[Earache Records]

Back in February I reviewed the latest and probably final record from Canadian doom band, Woods of Ypres. It was both a review and a final piece of mourning for the passing of founding member David Gold, who died in a car accident late last year. I discussed the various merits of the album, and in the end claimed it was the band’s strongest effort, and easily deserving a five out of five on the site.

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Woods of Ypres

Woods 5: Grey Skies and Electric Light

01. Career Suicide (Is Not Real Suicide)
02. Traveling Alone
03. Alternate Ending
04. Lightening & Snow
05. Finality
06. Death Is Not An Exit
07. Adora Vivos
08. Silver
09. Modern Life Architecture
10. Kiss My Ashes (Goodbye) (pt 1)
11. Kiss My Ashes (Goodbye) (pt 2)

[02/21/12]
[Earache Records]

Groundhog Day was last week, and in my neck of the woods the little bugger apparently saw his shadow, which either means I’m going to be stuck in a hell world where nothing but Bill Murray is playing on the TV, or we’ll have six more weeks of winter. I don’t really mind either of those things, though because Billy Murray is hilarious, and winter almost always brings forth excellent metal albums, usually of the slow and melancholic nature. The aptly titled Woods 5, coming from the short lived Canadian doom band, Woods of Ypres, is just that sort of album. It relies heavily on powerful guitar leads, pain-filled vocals and songs focused around the existential topics that make up our life; death, the afterlife, god, et cetera, et cetera. In this genre it’s something you’ll hear a thousand million times, but some bands know how to pull it off, and some bands don’t. Woods of Ypres are one of the lucky groups who definitely know how to pull it off, and with Woods 5 they have crafted an excellent swansong for the dearly departed singer/songwriter/guitarist David Gold who passed away late last year, shortly after finishing the recording of this album.

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