Tag Archive: UK


You may not yet have heard of Devil Sold His Soul, one of the UK’s best underground metal bands, but you’re sure as hell going to hear a lot about them in the coming weeks. We have an interview in the pipeline, so keep checking back.

Their music is a progressive blend of ambient metal and screamo; really beautiful stuff, and I urge you to go and check them out right bleedin’ now.

Up until now they’ve released an EP (Darkness Prevails), an album (A Fragile Hope) and a split 7″ vinyl with Tortuga that absolutely killed.

Anyway, as the title suggests, the band have today released news about their upcoming second album. Details have been sparse, and a lot of fans have been begging for any kind of word as to what to expect.

From the band:

We’re all extremely proud of this album, it’s the best album we could possibly write at this moment in time. As far as we’re concerned it’s a massive leap from the last album, it’s a much better record, more variety, more engaging, more aggressive, more emotive, more everything! We’ve gone all out in expanding what we do, and more specifically doing it better. So we can’t wait for everyone to hear it, and hope that you all agree!

The record will be titled Blessed & Cursed, with a scheduled UK release date of July 12th, through Century Media Records. Tracklisting and album art are as follows:

  1. Tides
  2. Drowning/Sinking
  3. Callous Heart
  4. An Ocean of Lights
  5. Frozen
  6. The Disappointment
  7. Crane Lake
  8. A Foreboding Sky
  9. The Weight of Faith
  10. Truth Has Come

Track 7, Crane Lake, was on the Tortuga split, and if it’s anything to go by, this album is going to be all levels of awesome. Take a listen.

Soexcite.

- CG

Another one for my UK bred’ren. Every Time I Die make people go nuts, so I know people are going to be clamouring for tickets to this limited run of shows. Get them while they’re hot! Or something.

Also on the bill will be Terror, All Shall Perish, Down To Nothing and Thick As Blood. I have no idea who any of these are. Commence insult hurling in t-minus 3…2…1…

Dates are as follows:

September 21st – Colchester Arts Centre
September 22nd – Plymouth White Rabbit
September 23rd – Manchester Moho Live
September 24th – Sheffield Corporation
September 25th – London O2 Islington Academy

I don’t know about the first four dates, but it’s a shame they’re playing the main Islington Academy. That place sucks. Stupid club nights.

- CG

Dead People In Your House

I’ve mentioned before that there are decent number of awesome bands – certainly more than our fair share – where I come from.

So far I’ve mentioned AZWAI and Mother Dirt, who in my opinion are the best of the bunch. Although not my favourites, the next band on my list – one Deacon Birch – are probably the best known, and certainly draw the largest crowds. Their shows are always a blast, especially when you throw the first two into the mix in a very small room with an extremely low ceiling.

They’ve not released a huge amount – mainly just a split 7″ with the now defunct Emerald Eye (the tracks from which are available on their Myspace) – but the song I wanted to share with you today is probably their best, and it is charmingly titled Corpses in the Walls.

From what I can gather, it’s an homage to Norma Jean‘s Murderotica (An Avalanche in D Minor), but with their own twist on the lyrics.

The video is pretty rad too, put together by the vocalist of Mother Dirt in fact. This is the kind of environment our musicians write and practice in; bands of the world take note!

- CG

Stella Dawes Dot Com

I posted about these dudes a while back. Continuing the DIY ethic of their debut album Contrasts, they’ve built their own official site, on their own. In fact, I believe it was only one of them, and he knows squat all about web design. Props?

The main reason for posting this is the plethora of audible goodies you get as a result. Their Myspace page offers two of the best tracks from Contrasts, as well as some tasty new demos, but for those of you hooked by ‘When the Tiger Lost His Voice‘, ‘The Unspeakable‘ and ‘Happy Ever Afternoon‘, the player on StellaDawes.com also features the third recent demo, as well as album tracks ‘Dichotomy‘, ‘Everything Happens to Eeyore‘ and ‘Investment Intercourse: A Deposit‘.

These guys are one of my favourite unsigned British bands; blending chaotic screamo with atmospheric post-whatever, but always feeling fresh. Think how refreshing City of Caterpillar were, and you’re someway close to these awesome dudes.

I hope this spurs you on to supporting them, even if it’s the measly £3* offering, because they’re genuinely a talented bunch.

- CG

*$4.50 at time of going to press

AZWAI: AsZerosWeAreInfinite

AZWAI live

It’s a good feeling when something you’ve been working on for a long time comes to fruition. After months of hard slog for very little gain, you might finally feel as if it has all been worth it, and you can allow yourself a pat on the back and maybe a few drinks down the pub. For Malvern-based hardcore quartet AsZerosWeAreInfinite, or AZWAI as they are more colloquially known, that drink should be at least three fingers, and the hand should belong to a big sweaty gorilla.

You see, their self-titled EP was recorded over a year ago, but only now do you, the lucky public, get to sample the fruits of their labour.

The opener, ‘God, By Any Other Name‘, kicks in with the lyrics “between my broken teeth and self-prophesied lies, you will discover salvation for your ache”. This could be as much a comment from anybody who has found their way to the front of the stage during one of AZWAI’s shows as it is about the actual subject, one Wayne Bent. Bent, also known as Michael Travesser, is the charismatic leader of the Lord Our Righteousness Church in New Mexico, a religious community who were featured in the Channel 4 Documentary ‘The End of the World Cult‘.

It’s a belter of an opening track, driving home with the force of something big and forceful and un-clichéd as possible. You might be surprised that there is only one guitar at work here, as the entire band works hard to create a ferocious, full-bodied sound. Vocalist and lyricist Adam Murkin is great at taking a perspective and writing intelligently from it, no matter how bizarre or convoluted the perspective of that person might be. The clout with which he delivers his lines is unrelenting across the board, too, and conveys in part his mighty stage presence (both in front of and mid-crowd).

Next up is ‘Snakeskin in the Shape of Wedding Band, which claims the crown for the longest track on the EP – marginally. And that’s one of the great things about AZWAI’s refined style. The tracks are long enough to have enough substance to hold your attention (I’m looking at you, Ampere), but aren’t so long that the onslaught becomes wearing. I know that this will be a firm crowd favourite – enough breakdowns and catchy lines for them to really get into.

Closer ‘Poor Syntax’ stands out as my favourite. I am still in awe as to how drummer Dan Taylor can manage as many stick-clacks in the space of a single second as he does to bring in this track, but this is by no means the highlight of the track. The influence of The Dillinger Escape Plan is clear from the outset, but it’s no mere consummate rip-off: the guys know how to build on their influences, rather than rehashing existing songs.

The EP may only clock in at seven minutes and thirty-one seconds, but it’s more than enough. It is an unrelenting juggernaut, devoid of unnecessary trimmings or lyrical waffle. Hear me; salvation is coming – and it’s name is AZWAI.

AZWAI: AsZerosWeAreInfinite

  1. God, by Any Other Name
  2. Snakeskin in the Shape of a Wedding Band
  3. Poor Syntax

Myspace // Get It

- CG


Powered by WordPress. Theme: Motion by 85ideas.