Stern – Missive: Sister Ships

One of the greatest traits of the underground music community is its deeply collaborative nature. A journey into one artist’s discography will often illuminate connections to other like-minded artists, which initiates the insatiable quest to devour yet another intriguing discography. Such is the case with Stern, which likely attracted attention due to its…

Soundtracks For The Blind: Burning Ghosts // Reclamation

At the beginning of this year I covered a band called Burning Ghosts, a sort of free jazz/rock hybrid who expressed their want for change in an instrumental fashion. Their debut was chaotic and noisy but at the same time a harbinger of hope, with trumpeter Daniel Rosenboom’s piercing tone breaking through guitarist Jake Vossler’s most riotous noise-making techniques. I noted in that article that “if I had known about this band earlier, I can almost guarantee that this would be on my top ten of 2016,” and I still stand by that. Musically, Burning Ghosts was a much-needed voice to the experimental music scene—their loudness was matched by the delicate control and virtuosity they put towards their music, and the addition of trumpet to the lineup offered slightly different sonic variations to enjoy. And, to my surprise/luck/excitement, Burning Ghosts is releasing their sophomore album Reclamation this month on John Zorn’s Tzadik label.

Heavy Buys // John Zorn/Mike Patton/Ikue Mori—Hemophiliac

Welcome to Heavy Buys, a new feature on the blog where we discuss in detail some recent physical music purchases we’ve made, whether it’s a small-time purchase to round out one’s collection, or a debt-inducing splurge. Vinyl, CDs, and even cassettes are all possible topics here. As long as its physical media, it’s fair game. I’m going to start off this inaugural article by talking about what is probably the most expensive purchase I’ve made yet—Hemophiliac: a collaborative John Zorn project released on Tzadik. I’m not going to give a real number, but believe me, it set me back a little. (But then again, I’m basically a corporate slave, so that price is pretty relative.)