Trigger – Cryogenesis

Enter Trigger, a young band hailing from Australia, the land of too much sun and great metal. Cryogenesis, released way back when in July of 2017, is chock full of the blurring of the lines between thrash and power that we referenced in the opening paragraph. I pounced on this album once realizing it wasn’t just a power metal album with impressive hooks in tow but also a science fiction conceptual epic. Under eventual and multiple listens, it quickly became apparent that Cryogenesis was a good album and an impressive effort for a second release but also an album which exemplifies many of the pitfalls of its sub-genre. At its core, Cryogenesis is motivated by big choruses and fast riffing but suffers from a muddled middle section, leaving the listener yearning for more.

Dispatches from the Port Phillip Bay Area – Into the Pit of Australian Thrash Metal

Due to the way we’ve decided to divide up the time zones, correspondence with an international audience from the humble southern continent of Australia often feels akin to looking into the past. Yet, despite this perceived futurism, Australian culture often trails its American and European counterparts by some distance. So it is that, while the northern thrash revival has come and (more-or-less) gone, the Australian metal scene is currently experiencing the biggest genre boom it has undergone since thrash metal originally emerged in the mid ‘80s. Back then, we brought our own quality acts to the fold, most notably in the form(s) of Mortal Sin and Hobbs Angel of Death, and the Allegiance in the ’90s. Yet, while the style had effectively remained dormant since then, the last five-to-ten years have seen an explosion in the amount of world-class thrash metal bands to have emerged from these southern shores.